Menu
The New Contemporary Art Magazine

Pavel Gempler Uses Cloth as ‘Second Skin’ for Paintings

Using transparent cloths clad to the canvas, painter Pavel Gempler creates a "second skin, through which the lower pictorial layers shine through and create an irritating doubling," the artist says. The result is both captivating and creates a pixelated effect to his works, which then carry photograph-like benefits of the light.

Using transparent cloths clad to the canvas, painter Pavel Gempler creates a “second skin, through which the lower pictorial layers shine through and create an irritating doubling,” the artist says. The result is both captivating and creates a pixelated effect to his works, which then carry photograph-like benefits of the light.

“The central theme of my work is the transition of visually reproducible body and objects, which are oscillating between mystery and triviality, fullness and emptiness,” the artist tells us. “I deal with attitudes and symbols of the body, which seeks to hide in masquerades, which is a place of desire, communication and life. I work with individual expressions of the body that are degraded to the point of insignificance by the consumer society and reproducibility. In recent works, I actively intervene in the image. With this work strategy, the painted representative units are first destroyed and then reassembled under my aegis.”

See more of the artist’s work below.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
The surreal paintings of Mircea Suciu offer a glimpse of dreamy, and perhaps slightly nightmarish worlds inhabited by shady men in suits and antiquated technology. Suciu paints images of early to mid-20th century life with a dark and mysterious twist, alluding to the unsavory aspects of the era like nuclear technology and mob culture. Using mainly monochromatic coloring, Suciu is able to convey a sense of foreboding to the viewer, as well as adding a noir-like feel the smooth and atmospheric scenes. In his latest work, the Romanian artist has been experimenting with painting over monotypes, adding an abstract dimension to his typically photorealistic approach.
Matthew Stone photographs paint strokes on glass and then uses them to build bodies using software. When printed, they inhabit “a shared world,” a statement says, “defined by a grey infinity floor, proliferating petals of paint and a raw linen void as backdrop." In a new set of work recently shown in at The Hole NYC, under the title "Neophyte.” He was last mentioned on HiFructose.com here.
With “A Volta,” Allouche Gallery looks at the evolution of the legendary b-boy and street artist Doze Green through paintings and drawings. In the show, viewers find an artist who influenced a generation and a transformative moment in his practice upon moving to Brazil. Green was most recently featured in Hi-Fructose's print magazine with Volume 35.
While collecting stones along the east coast of his hometown in Maine, it dawned on artist Alan Magee how the beauty of an object draws in its own attention. His hyperrealistic acrylic and oil paintings look unbelievably like photographs, capturing the quiet intensity of those stones, pebbles and rocks that demanded his contemplation. Each is arranged in softly lit, zen like compositions, where Magee has stacked them like cairns or on top of other objects, while in other pieces, they appear scattered like a starry Milky Way galaxy, bleached white by the sun and sand with their own stories to tell.

Subscribe to the Hi-Fructose Mailing List