Menu
The New Contemporary Art Magazine

Claire Partington’s Figures Combine Centuries of Narratives, Styles

Claire Partington, a ceramics artist living and working in London, is a storyteller. The artist says that the aesthetic of her spellbinding figures is inspired by the “European Applied Art and Design styles from the 1600s onwards.” Yet, she’s fascinated by the tradition of appropriating so-called “exotic” styles and cobbling together influences into a single artifact also drives her work.


Claire Partington, a ceramics artist living and working in London, is a storyteller. The artist says that the aesthetic of her spellbinding figures is inspired by the “European Applied Art and Design styles from the 1600s onwards.” Yet, she’s fascinated by the tradition of appropriating so-called “exotic” styles and cobbling together influences into a single artifact also drives her work.

Several of her figures have interchangeable heads, further adding to the narratives and mystery of the pieces. Partington uses traditional processes to create these figures. They’re coil-built and then refined before “adding surface decorations of sprigged (press molded) ephemera and modern computer generated enamel decoration over the glaze.”

“Narrative and the retelling and misinterpretation of stories is at the center of my work,” Partington says, in a statement. “Initially concentrating on reimagining and retelling Folk and fairy stories with particularly strong imagery, then merging these stories with imagined back stories for historical figures and their associated iconic imagery.”

Partington’s works can be found in private collections across the globe, including eydan Weiss Collection and 21C Museum.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Jocelyn Y. Howard, a ceramics sculptor, creates surreal figures that explore identity, gender, and other social topics. Howard immersed herself in ceramics after studying under Michael Sherrill in 2005. Since, she’s amassed a collection of strange and absorbing characters, all reflecting both the potential and otherworldliness of the material.
Erika Sanada's canine sculptures are both endearing and unnerving. There's something sweet about her ceramic puppies (featured in Hi-Fructose Vol. 31) despite their zombie eyes and pale, hairless skin. The dogs play, wrestle, and cuddle, but the ambiguous details in each sculpture make it possible to interpret their gestures as either tender or malicious, or perhaps a bit of both. Sanada began creating these creatures as a way of coping with anxiety. She says they represent dark elements of her mind she's had to tame. The latest installment of her ongoing, autobiographical body of work will debut in her upcoming solo show, "Odd Things: Daydreaming," which opens November 28 at Antler Gallery in Portland and runs through December 31.
Masayoshi Hanawa’s intricate ceramic and resin creatures are pulled from the artist’s internal mythology. His creations are filled with mosaic-like detail, each corner of a monster a meticulously crafted and vibrant pattern.
Alessandro Gallo's ceramic human-animal characters are often caught in the most candid and casual moments. Gallo’s garnered a reputation for these hybrid creatures, such as the one above, currently featured in the “Ceramics Now” show at The International Museum of Ceramics in Faenza.

Subscribe to the Hi-Fructose Mailing List