Claire Partington, a ceramics artist living and working in London, is a storyteller. The artist says that the aesthetic of her spellbinding figures is inspired by the “European Applied Art and Design styles from the 1600s onwards.” Yet, she’s fascinated by the tradition of appropriating so-called “exotic” styles and cobbling together influences into a single artifact also drives her work.
Several of her figures have interchangeable heads, further adding to the narratives and mystery of the pieces. Partington uses traditional processes to create these figures. They’re coil-built and then refined before “adding surface decorations of sprigged (press molded) ephemera and modern computer generated enamel decoration over the glaze.”
“Narrative and the retelling and misinterpretation of stories is at the center of my work,” Partington says, in a statement. “Initially concentrating on reimagining and retelling Folk and fairy stories with particularly strong imagery, then merging these stories with imagined back stories for historical figures and their associated iconic imagery.”
Partington’s works can be found in private collections across the globe, including eydan Weiss Collection and 21C Museum.
Masayoshi Hanawa’s intricate ceramic and resin creatures are pulled from the artist’s internal mythology. His creations are filled with mosaic-like detail, each corner of a monster a meticulously crafted and vibrant pattern.
Moving between works on paper and ceramics, 
Stephanie H. Shih's ceramic sculptures reflect on her upbringing as a first-generation Asian-American through “the lens of the Asian-American pantry.” The output ranges from hundreds and hundreds of porcelain dumplings to certain imported sauces and oils. With her work, she's also raised funds for communities across the U.S., from displaces indigenous tribes to hurricane victims.