Menu
The New Contemporary Art Magazine

Ole Marius Joergensen Captures What Goes on “Behind the Curtains”

When asked about his main interest in photography, Ole Marius Joergensen once said that rather than capturing a version of reality, he loves to create illusions. The Oslo based photographer has a background in film that shows in his cinematic and atmospheric images, described as appearing almost unreal, or as Joergensen puts it, "a Norwegian strain of surrealism". This is especially true of his new series "Behind the Curtains," a surreal set of images shown through the eyes of his inquiring subjects, and catching them in moments of forbidden fascination.

When asked about his main interest in photography, Ole Marius Joergensen once said that rather than capturing a version of reality, he loves to create illusions. The Oslo based photographer has a background in film that shows in his cinematic and atmospheric images, described as appearing almost unreal, or as Joergensen puts it, “a Norwegian strain of surrealism”. This is especially true of his new series “Behind the Curtains,” a surreal set of images shown through the eyes of his inquiring subjects, and catching them in moments of forbidden fascination.

“Behind the Curtains” has beginnings in Joergensen’s earlier work, which has seldom depicted acts of innocent voyeurism, and makes us think about what sparks our curiosity as human beings. This includes his series “Space Travels through Norway”, following an astronaut as he travels the country’s landscape, stopping in places that are beautiful but probably less interesting to the locals, much as a tourist would. A newer series, “Peeping Tom”, depicts characters “peeping” at others through holes in the wall, or through binoculars, a la Alfred Hitchcock’s classic film Rear Window.

“Visually speaking, I love the old-fashion way of peeping, not the kind we all do today through the web; so I tried to create a sort of “old days” atmosphere,” Joergensen says. The photograph in “Behind the Curtains” takes his narrative one step further, exploring the reasoning for our obsession about those around us, and the consequences of this. “Norwegians like their privacy, and yet some people’s curiosity can be obsessive…” he explains. “Many times, I have looked at windows and wondered, what’s going on behind those curtains. My project is an attempt to unravel some mysteries.”

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Before the cyanotype was popularized by artists like Robert Rauschenberg, Susan Derges and Florian Neusüss in the 1960s, it was used by architects, astronomers and botanists. It is therefore fitting that contemporary artist Tasha Lewis appropriates this method of camera-less photography to make anthropological sculptures. To transform her two-dimensional cyanotypes into three-dimensional objects, Lewis uses mixed-media paper, tape, wood, and wire to build the forms of human portraits, birds in flight and thawing animals, among other shapes and characters. She then uses a photochemical reduction process to print on cloth, which she hand-sews and patchworks together. The artist refers to this outer layer as the "skin" of her sculptures.
Though their work can be described as digital art, Ransom & Mitchell are very hands-on with their process. To create the fanciful worlds that they photograph, the San Francisco-based duo sews original costumes, makes props and builds sets. Experts in studio lighting, they imbue their works with a magical ambiance, only adding digitally-painted details to render that which can't be done in real life. For the upcoming group show "Rough & Ready Sideshow" at Bash Contemporary in San Francisco, Ransom & Mitchell will be exhibiting a new series of photo-illustrations that hearken back to circus freak shows. While there are obvious ethical issues with sideshows themselves, the artists's vintage-inspired new works are loaded with nostalgic humor, kitsch and illusions. Aunia Kahn, Stefanie Vega and Alexandra Manukyan will also be participating in the exhibition. The opening reception will be held on October 11 and the show will be on view through November 8.
Kat Toronto, a.k.a. Miss Meatface, shows her stirring blend of performance art, photography, ceramics, zines, and more in a new exhibition at The Untitled Space in New York. The multidisciplinary artist, who was featured in Hi-Fructose Vol. 47, is offering work that the gallery says spans several years. The gallery says her works “explore cultural ideals of feminine beauty and the objectification of women in a feminist society by toying with the push and pull of dominance and submission, as well as the acts of revealing and concealing.” Her exhibitions runs through July 13.
Daniel Ramos Obregón's work combines sculpture and fashion design to create unusual accoutrements. The artist's latest series of wearable porcelain pieces, "Outrospection," visualizes the idea of out-of-body experiences with life-size sculptures of body parts that project from their wearer's anatomy. Obregón collaborated with dancer Lukasz Przytarski, who modeled the pieces, and photographer Jorge Perez Ortiz on a minimalist photo shoot that shows his work in action.

Subscribe to the Hi-Fructose Mailing List