Artist Mike Campau combines photography and digital techniques for his “Antisocial” series, a project that takes a pointed look at digital platforms we use to communicate. For much of the work, there’s a cynical beauty in the details, with letter boards reflecting our frivolous behavior and dependency on social media. In a statement, he offers some insight into the series:
“Social Media is starting to get some pull back, and rightfully so,” he says. “Each platform has it’s own problems, but all have had a large impact on society as a whole, both good and bad. Each image takes place in an empty parking lot which is a symbol of our singularly isolated posts, but placed in a location where it can be easily seen by many.”
See more of the work (and process shots) below.
Canadian photographer 
Photographer Aida Muluneh has lived all over the world, but it was in returning to Ethiopia that she found inspiration for her latest body of work. Muluneh's first solo exhibition for David Kruts Projects in New York City was titled “The World is 9,” and it featured new images from the artist. The title comes from something the artist’s grandmother used to say: “The world is 9. It is never complete and never perfect.”
Emile Morel’s mythological scenes have an ancient quality, despite being primarily rendered through digital means. Much of his work offers both whimsy and the fantastical, his hybrid creatures often towering over their child counterparts. Morel was last mentioned on our site 
San Francisco-raised artist Kat Toronto blends performance art and photography under the working name of