Menu
The New Contemporary Art Magazine

David Kroll’s Paintings of Nature Combine Still Life and Landscape

In painting nature, artist David Kroll evokes a classical sense of beauty and fragility. He combines elements of naturalist painting and still life in his portrayal of animals like elegant egrets and koi which perch and swim around delicate objects. Though remarkably detailed and inspired by early landscape painting, Kroll has said that he wants to paint a version of the wild that is romantic, and not necessarily realistic. "I paint refuges, places to go to for solace. I want my paintings to be destinations of quiet and calm," he says. "However, this world is fragile."

In painting nature, artist David Kroll evokes a classical sense of beauty and fragility. He combines elements of naturalist painting and still life in his portrayal of animals like elegant egrets and koi which perch and swim around delicate objects. Though remarkably detailed and inspired by early landscape painting, Kroll has said that he wants to paint a version of the wild that is romantic, and not necessarily realistic. “I paint refuges, places to go to for solace. I want my paintings to be destinations of quiet and calm,” he says. “However, this world is fragile.”

“The elements in the foregrounds of my paintings are items carefully constructed, either by humans or animals. Yet, they are objects easily broken or destroyed. Birds represent messengers from the wild. They embody beauty and fragility. They are visitors that remind us of lands beyond, wilderness. The distant landscapes in my paintings are remembrances of the natural past, vaguely familiar and pleasing,” Kroll explains.

“The natural world seems essential to me but I am puzzled by how one can integrate it into our urban lives. Although, we are neither able nor willing to return to an Arcadian state, we still need to have a relationship with nature. I want to add a sense of balance, order and beauty to a world that is weighted in the opposite.” David Kroll will debut a new series of paintings in his upcoming solo, opening June 7th at Littlejohn Contemporary in New York.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Katie Metz paints the city that is around her. Working and living out of Seattle, a city bustling with activity and nightlife, her landscapes express the immediacy of her experiences there. Though realistic depictions, Metz applies impressionistic brush strokes where scratched layers of paint make the picture quiver with life. Her individualistic style brings the viewer into a luminous, almost other worldly realm as it takes us past skyscrapers, through streets and overpasses.
Portland based artist Eric Wert, first featured in Hi-Fructose Vol. 32, is known for his larger than life and visually intense still life paintings of plants and food. Though his style is hyper-realistic, there is something about his portrayal of the vibrancy and ripeness of his subjects that makes them more appealing than life. Wert makes every day florals and foods like grapes and tomato look beautiful and evocative with a certain wildness. He has said, "I want to create an image that one can be lost within. To me, still-life painting is about looking intensely. It's about intimately exploring a subject." For his current exhibition at William Baczek Fine Arts in Massachusetts, Wert created a smaller series featuring hydrangea, lilies, pansy, iris, and figs in luscious, glistening still lifes.
Oil painter Vasilis Avramidis, first featured in Hi-Fructose Vol. 26, produces modern portraits of isolated landscapes, often depicting architecture in states of overgrowth. At the time of this interview, Avramidis confessed that he has settled in to his third studio location this year, a small studio in northern Greece. It is here that he has been putting the finishing touches on a new group of dramatically lit scenes based on memory and the overlooked. According to Avramidis, these paintings are as much about creating a familiar sense of place within a moment as they are about the absence of humans within the architecture. His latest works will be on view at The Contemporary London, located at Space W10 which opens on November 13th.
Jonny Green's oil paintings of haphazardly-made sculptures are part portrait, part still life. The UK based painter, who lives and works in London, describes his work as a combination of the "carefree and painstaking", images of crudely built subjects made of a strange selection of items- modelling clay, office tape, flowers, Christmas lights, and whatever else is immediately available to him- which he then renders in incredibly meticulous detail.

Subscribe to the Hi-Fructose Mailing List