
For San Francisco based artist Erika Sanada, animals have long represented a sort of escapism from reality. Featured here on our blog and in Hi-Fructose Vol. 31, her creepy-cute sculptural incarnations of “zombified” baby creatures are analogies to her own demons. Over the years, we’ve seen her sculptures evolve into more dynamic pieces of art; playful, narrative scenes colored in a spectrum of somber hues. She explores a bolder, darker palette and decoration in her upcoming solo, “Cope.”

Opening on May 6th at Stranger Factory in Albuquerque, New Mexico, Sanada’s show is a continuation of the artist’s “Odd Things”, dealing with themes of innocence and birth to the contemplation of death: “My work reflects the weird and the creepy; I am fascinated with the dark side. “Odd Things” are my current body of work and I use ceramic for making bizarre creatures. They have extra body parts such as multiple arms, legs, teeth and ears. These are how I express my sensitive mind. There are two reasons I create misshapen and abnormal work. One is my bitter childhood and the second is my constant anxieties,” she says.

Sanada’s work in “Cope” finds the artist’s rarely-seen sketch and drawing work utilized in some of her sculpture’s designs. She illustrates onto one piece a scene of two black birds or crows, a commonly used symbol for death, catching a moth, a symbol for weakness. Other works feature her puppy characters, strikingly colored in dark combinations of black and crimson, in scenes where they “cope” with various predicaments, a reference to Sanada’s coping with her own anxieties.

“I have had an anxious personality since I was a child. I worry about everything, even tiny things. Anxiety drags my mind to the dark side, which is more powerful and intense than my bright side. Sometimes I can’t move forward because I am emotionally paralyzed. I decided to go face-to-face with my anxieties by creating irregular and eerie creatures representing my dark side. As a result, these creatures show my twisted mind as I try to overcome anxiety through my creation.”









Murielle Belin’s dark-surrealist polyptychs are striking blends of oil painting, sculpture, woodworking, and other disciplines. "Calendrier Perpetual," in particular, shows the artist's abilities in taxidermy and building, with different corners of the piece offering surprises.
In Amy Brener's "Omni-Kit" sculpture series, everyday objects and imagery are reprocessed into totem-like sculptures that speak to ritual and memory. These works are highlighted in a new show at Jack Barrett Gallery titled "Consolarium," a word the artist created for the place where these objects and figures across time collide into these single objects. Materials include urethane resin and foam, silicone, pigment, and more. The show runs through Dec. 20.
A veritable expert on the subject of recycling, Czech artist
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