Japanese artist Izumi Kato’s debut exhibition in the United States at Galerie Perrotin in New York is all about his creatures with very simplified human features and penetrating eyes. The simplistic traces in his portraits are one of the consequences of painting with no brushes or tools – only his hands and occasionally, a spatula. When Kato first started to paint, he was immersed in painting the abstract, but then he decided to try more human shapes, which can sometimes seem childlike but with an adult and eerie appearance. In his work, you can discover portrayals of a man but also a woman, cute but also ugly, a toy but also a monster. Although the artist may not like to interpret his work, nor give his pieces titles, these dualities are there. Since 2005, Kato has also been working on sculptures as well, and these humanoid creatures also appear in them, crafted out of carved wood, a material that he enjoys for its difficulty to mold. His sculptures have an ancient look, stylized in a way that is reminiscent of African art, but always with his unique touch and the peculiar, staring eyes of his characters. For one of his installations in the exhibit, he built a totem of seven heads and put it on top of seven different sized stools. It is as if he is encouraging us to compare them, inviting us to wonder about what world they could have come from.
Nww works by Izumi Kato are now on view at Galerie Perrotin in New York through February 27th, 2016.
Tokyo based painter 
Numbers of women artists still rank low in gallery rosters, less than 50 percent, across the world. With the exception of a few like Yayoi Kusama and Yoko Ono, women in the Japanese contemporary art world have yet to earn equal recognition. This is largely due to the historical conception that women were not suited to become professional artists. A new exhibition at Jiro Miura Gallery in Tokyo is bringing awareness to 19 emerging international women artists. "Ephemeral: Territory of Girls", which opened on July 25th, showcases new works by Jana Brike, Amy Crehore, Virginia Mori, Ania Tomicka, Emi Adachi, Fuco Ueda, Kaori Ogawa, Miki Kato, Kimi Kuruhara, Kozue Kuroki, Satomi Kuwahara, Atsuko Goto, Yuka Sakuma, Minae Takada, Tsubaki Torii, Yumi Nakai, Yuko Nagami, Yuki Nagayoshi, Mao Hamaguchi, Miho Hirano, Shiori Matsumoto, Eri Mizuno, and Yuko Murai.
Dreams are considered important, real, and public in some cultures, but absurd, irrational and personal in others. Japan has its own history of dreaming, and the importance of dreams has evolved through Japanese supernatural beliefs and art for centuries. "Dreams are like strange stories," says Tokyo based artist 
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