Japanese artist Izumi Kato's debut exhibition in the United States at Galerie Perrotin in New York is all about his creatures with very simplified human features and penetrating eyes. The simplistic traces in his portraits are one of the consequences of painting with no brushes or tools – only his hands and occasionally, a spatula. When Kato first started to paint, he was immersed in painting the abstract, but then he decided to try more human shapes, which can sometimes seem childlike but with an adult and eerie appearance. In his work, you can discover portrayals of a man but also a woman, cute but also ugly, a toy but also a monster.