by CaroPosted on

Numbers of women artists still rank low in gallery rosters, less than 50 percent, across the world. With the exception of a few like Yayoi Kusama and Yoko Ono, women in the Japanese contemporary art world have yet to earn equal recognition. This is largely due to the historical conception that women were not suited to become professional artists. A new exhibition at Jiro Miura Gallery in Tokyo is bringing awareness to 19 emerging international women artists. “Ephemeral: Territory of Girls”, which opened on July 25th, showcases new works by Jana Brike, Amy Crehore, Virginia Mori, Ania Tomicka, Emi Adachi, Fuco Ueda, Kaori Ogawa, Miki Kato, Kimi Kuruhara, Kozue Kuroki, Satomi Kuwahara, Atsuko Goto, Yuka Sakuma, Minae Takada, Tsubaki Torii, Yumi Nakai, Yuko Nagami, Yuki Nagayoshi, Mao Hamaguchi, Miho Hirano, Shiori Matsumoto, Eri Mizuno, and Yuko Murai.

by CaroPosted on

They are “the girls behind the lace.” This is how Okinawa based painter Mao Hamaguchi describes the young subjects of her romantic paintings. Her Gothic Art inspired images are painted in a soft and delicate style, where we find Contemporary aristocratic girls peeking through veils or shrouds and lace curtains. The symbol of lace is used throughout Hamaguchi’s art. Lace is a sensual fabric, often associated with intimacy and pleasure, as well as wealth, once among a household’s most prized possessions. Hamaguchi embraces all of its nuances, using them to emphasize the qualities of womanhood.