Yoshimitsu Umekawa’s photographs look like pictures of a pop-colored apocalypse. The forms in his images appear vibrant and swirling at first, but then evoke an underlying darkness. In the studio, Umekawa’s process is similar to another photographer, Kim Keever, creating images inside of a fish tank and then coloring them digitally. His ‘clouds’ come in a variety of colors and iterations, and he has photographed 100 of them so far. He calls them “Incarnations”- visible parts of his experience as a young person living in Tokyo, with a nod to Japan’s past which is no stranger to catastrophe. “I am trying to convert some problems happening on a daily basis, including social problems that I feel in Japan,” he told Hi-Fructose in an email. “The reason why I chose the series is because I feel strongly that my inspiration, based on my spiritual experience, sympathized with the ‘murky’ elements of Japan.” It is unsurprising that we should find “murkiness” in his work, considering events like the 2011 Tōhoku earthquake and tsunami, and subsequent nuclear disasters that have led to public outcry. However, Umekawa’s viewpoint is not a purely negative one. The world is a place where good and evil coexists in harmony, something that he also hopes to illustrate in his photos. “Each has a character, and that can change depending on who is looking,” he says.
French born artist 
Before the cyanotype was popularized by artists like Robert Rauschenberg, Susan Derges and Florian Neusüss in the 1960s, it was used by architects, astronomers and botanists. It is therefore fitting that contemporary artist 
Charles Gatewood, the prolific San Francisco based visionary and photographer who was called "the family photographer of America's erotic underground" died early this Thursday morning, April 28th. He had been in the ICU at SF General Hospital after suffering complications from a three-story fall that tragically ended his life at age 74.