Menu
The New Contemporary Art Magazine

French Artists 100TAUR and Hisham Echafaki Exhibit in “Lusus Naturae”

On October 14th, French artists 100TAUR and Hisham Echafaki will debut new works in their two-person exhibition, "Lusus Naturae" in London. Borrowing their title from a Latin phrase that describes any creature or specimen that defies classification, the exhibit will include a series of paintings, drawings and three-dimensional works that depict "freaks of nature". Their works feature fantastical hybrid creatures alongside some of the world's most bizarre members of fauna. Both 100TAUR's portrayals of mythical monsters in their dark world and Echafaki's intricate, pattern-filled works explore the human fascination with oddities or monstrosities along with our fragile relation with the nature.

On October 14th, French artists 100TAUR and Hisham Echafaki will debut new works in their two-person exhibition, “Lusus Naturae” in London. Borrowing their title from a Latin phrase that describes any creature or specimen that defies classification, the exhibit will include a series of paintings, drawings and three-dimensional works that depict “freaks of nature”. Their works feature fantastical hybrid creatures alongside some of the world’s most bizarre members of fauna. Both 100TAUR’s portrayals of mythical monsters in their dark world and Echafaki’s intricate, pattern-filled works explore the human fascination with oddities or monstrosities along with our fragile relation with the nature. Although different in their styles and aesthetics, both artists are heavily influenced by nature, its beauty and perfection. 100TAUR’s work is halfway between innocence and horror. In his graffiti murals, installations, drawings, paintings, engraving and taxidermy sculptures, his colorful surrealist imagery is rich in narrative. Hisham Echafaki plays with intricate, repetitive patterns found in nature, especially insects, and is commenting on the fragile balance between the mankind and the wild life. For this show, he created a series of three-dimensional paintings using a technique of painting layers of resin. Through this time consuming process, the he is presenting 3D bugs as fragile taxidermy insects. “Lusus Naturae” will be on view for two days in a Victorian-style pop-up location at 94 Leonard Street, London, EC2A 4RH.

100TAUR:

Hisham Echafaki:

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Filled with rich, saturated colors, Greg "Craola" Simkins's paintings present playful scenarios inspired by the natural world. Regal-looking birds, foxes and even hammer head shark enact allegorical dramas. The paintings play out like Shakespearean comedies: A sense of whimsical humor pervades the work, yet the characters' elaborate costuming suggests that these are no ordinary creatures we are observing. The anthropomorphized animals appear to belong to an old world social order. One can't help but attempt to deduce a commentary on the ways that power plays out our own society, but perhaps staring at the masterfully-painted feathers and fins is enough. Fittingly, Craola's upcoming show at Merry Karnowsky Gallery in LA, opening May 17, is titled "Good Knight." Take a look out our sneak peek of the show below, photos courtesy of Carlos Gonzalez aka Theonepointeight.
Giovanni Forlino’s vibrant paintings and drawings move between dreamlike scenes, grotesque characters, and wild creatures of the natural world. His surreal, monstrous subjects, in particular, fill the space as if they are on the cusp of breaking out of it.
Working in the tradition of Italian Renaissance masters, the Milan-based artist Giuseppe Ciracì creates careful renderings of human anatomy, using pencil, oil and acrylic. Many of his pieces have an unfinished feel; often the faces of his human subjects appear half rendered in a detailed chiaroscuro, while the other half is left in white silhouette, as though the artist got distracted halfway through or were merely creating preparatory sketches.
Henry Gunderson's new solo show at Derek Eller Gallery, titled "It's a Great Time to be Alive," explores how an “image-saturated culture” is deeply embedding itself into our psyches. Running through Feb. 2 at the New York City space, the show features a self-portrait of the painter, “It’s Hard to See from Where I’m Standing," seen below.

Subscribe to the Hi-Fructose Mailing List