Photographer Fabrice Monteiro collaborated with Senegalese fashion and costume designer Doulsy (Jah Gal) and the Ecofund organization to create “The Prophecy,” a series in which the destruction of the African landscape is highlighted through theatrical costume and narrative. Larger-than-life characters wear costumes partially made from the trash found in the ten polluted environments where Monteiro photographed his models.
From the surrounding rubbish, monstrous, mutated figures rise, such as the multi-armed creature on the shore of Dakar’s Hann Bay, where blood from a nearby slaughterhouse seeps into the water, making the beach uninhabitable. Other images strive for triumph, but are ultimately defeated in the environmental battle. For example, a mystical warrior pulls a fishing net onto the shore, hoping in vain to find something other than plastic. Together, the ten images offer a poignant look at the human actions that are actively destroying the beauty and richness of the Senegalese landscape and culture.
In 
Charles Gatewood, the prolific San Francisco based visionary and photographer who was called "the family photographer of America's erotic underground" died early this Thursday morning, April 28th. He had been in the ICU at SF General Hospital after suffering complications from a three-story fall that tragically ended his life at age 74.
Lebanon remains at the heart of fierce conflict, which makes toy photographer 
Using careful arrangements of mirrors, lights, and negative space,