Menu
The New Contemporary Art Magazine

Alison Blickle Continues Her Tale of the Occult in “History of Magic III… Uncrossing”

Fans of Alison Blickle (featured in HF Vol. 28) will recall that the artist has been working on a series of narrative paintings for the past three years, relating her self-created myth in installments that come in the form of annual solo shows. Currently, the last chapter in her tale of a mystical woman and her magic vessel is on view at Kravets Wehby Gallery in New York. "History of Magic III... Uncrossing" features opulent scenes of fictitious incantations and rituals. Blickle ornaments her characters with mosaic-like patterns that echo the ceramics hanging on the walls and displayed before her paintings in altar-like formations. Since this is the last chapter of "History of Magic," we are curious to see where Blickle goes next.

Fans of Alison Blickle (featured in HF Vol. 28) will recall that the artist has been working on a series of narrative paintings for the past three years, relating her self-created myth in installments that come in the form of annual solo shows. Currently, the last chapter in her tale of a mystical woman and her magic vessel is on view at Kravets Wehby Gallery in New York. “History of Magic III… Uncrossing” features opulent scenes of fictitious incantations and rituals. Blickle ornaments her characters with mosaic-like patterns that echo the ceramics hanging on the walls and displayed before her paintings in altar-like formations. Since this is the last chapter of “History of Magic,” we are curious to see where Blickle goes next.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Alison Blickle’s paintings weave the patterns of mosaics, textiles, and artifacts into the forms of females figures. These arrangements both follow and break free from the contours of the body, with choreographed scenes that recall ceremony. The artist often pairs these works with three-dimensional works.
Oil painter Vasilis Avramidis, first featured in Hi-Fructose Vol. 26, produces modern portraits of isolated landscapes, often depicting architecture in states of overgrowth. At the time of this interview, Avramidis confessed that he has settled in to his third studio location this year, a small studio in northern Greece. It is here that he has been putting the finishing touches on a new group of dramatically lit scenes based on memory and the overlooked. According to Avramidis, these paintings are as much about creating a familiar sense of place within a moment as they are about the absence of humans within the architecture. His latest works will be on view at The Contemporary London, located at Space W10 which opens on November 13th.

Subscribe to the Hi-Fructose Mailing List