Menu
The New Contemporary Art Magazine

“Wink Space” Walk-In Kaleidoscope Installation By Saya Miyazaki and Masakazu Shirane

A dizzying array of laser-cut mirrors make up Miyazaki Saya and Shirane Masakazu's dazzling "Wink Space" installation — a giant, walk-in kaleidoscope built inside of a shipping container. While the pair is not the first do a mirrored kaleidoscope installation, their piece stands out because of the complexity of its form. Dozens of mirrors were cut into triangular shapes to form the multifaceted, cave-like structure. Miyazaki and Shirane created the piece for last year's Kobe Biennale, where artists were challenged to use shipping containers to create artworks that are mobile and, though site-specific, not confined to a geographical location.

A dizzying array of laser-cut mirrors make up Saya Miyazaki and Masakazu Shirane’s dazzling “Wink Space” installation — a giant, walk-in kaleidoscope built inside of a shipping container. While the pair is not the first do a mirrored kaleidoscope installation, their piece stands out because of the complexity of its form. Dozens of mirrors were cut into triangular shapes to form the multifaceted, cave-like structure. Miyazaki and Shirane created the piece for last year’s Kobe Biennale, where artists were challenged to use shipping containers to create artworks that are mobile and, though site-specific, not confined to a geographical location.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Mexican artist Damián Ortega (covered here) reconceptualizes everyday objects in his sculptural installations. For twenty years, his creative interests have lied in the deconstruction of form and how things are assembled. His solo exhibition at HangarBiocca in Milan, Italy, "Casino," is also a retrospective of his most famous works through today. This includes his new installation, "Zoom," made for the event. The experience of viewing his artwork has been described as "explosive," displaying a burst of energy, like an exploding star. Objects and vehicles such as his Volkswagon Bug, "Cosmic Thing," (2002) are transformed as a critique about technological innovation. See more after the jump.

Tom Biddulph and Barbara Ryan

The Amsterdam Light Festival has returned, and with it, a startling new set of light-based public works are on display through Jan. 19. “Disturbance lies at the heart of the exhibition of the eighth edition of the Amsterdam Light Festival with its theme 'DISRUPT!'” the event says. “Artists, designers, and architects were challenged to question, test and shake up Amsterdam in alignment with the theme.” Photos by Janus van den Eijnden.
In Barry McGee’s current show at Perrotin’s Hong Kong gallery, titled “The Other Side,” the artist creates a new immersive environment that blends his love of retro patterns, lettering, advertisements, and comic strip characters. The show runs through Nov. 9 at the space. McGee was featured in Hi-Fructose Vols. 16 and 25.
At the Takeo Onsen hot springs in Japan, teamLab's immersive, massive installation has returned to the historic Mifuneyama Rakuen Park, now adding a daytime component to "A Forest Where Gods Live.” The teamLab exhibition differs from similar immersive efforts such as Meow Wolf and Onedome in that it uses an expansive outdoor space while paying homage to its history—as well as interactive elements.(teamLab was last featured here.)

Subscribe to the Hi-Fructose Mailing List