Menu
The New Contemporary Art Magazine

Fantasy Art that Tricks the Eye by Andrew Ferez

You may know Russian artist Andrew Ferez for his covers of popular Game of Thrones novels like “A Song of Ice and Fire”. Although he borrows from the stories he illustrates, his images possess their own mysterious meaning. His digital art transports us into our subconscious with haunting pictures of crumbling, imaginary worlds. They are inhabited by ghostly figures, skulls and demons, combined with gothic motifs like roses and dimly lit candles. Other images are a trick of the eye, where the shape of a building, smoke rings, or golden tree suddenly reveals a woman’s face. A common feature in this apocalyptic environment is halls of mirrors and never ending labyrinths. Take a look at his work after the jump.

You may know Russian artist Andrew Ferez for his covers of popular Game of Thrones novels like “A Song of Ice and Fire”. Although he borrows from the stories he illustrates, his images possess their own mysterious meaning. His digital art transports us into our subconscious with haunting pictures of crumbling, imaginary worlds. They are inhabited by ghostly figures, skulls and demons, combined with gothic motifs like roses and dimly lit candles. Other images are a trick of the eye, where the shape of a building, smoke rings, or golden tree suddenly reveals a woman’s face. A common feature in this apocalyptic environment is halls of mirrors and never ending labyrinths. Ferez’s unique perspective and impossible architecture recalls the work of graphic artists like M.C. Escher. His expressive tones and subdued color palette creates an eerie, yet exciting atmosphere that is almost palpable. Recurring themes of loneliness, musical composition, and change of the season also provide Ferez with inspiration. For an even deeper understanding, you’ll just have to read the books his work adorns.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Closing today at Leontia Gallery in London, "FLESH" exhibits sensual, raw and dark new works by Magnus Gjoen, Flora Borsi, Maria Koshneneko, Mariska Karto. Their pieces examine the beautiful and fragile, haunting and disturbing aspects of the figure, reinterpreted in a variety of media. Each sheds new light on this classical idea, by embracing it with contemporary and pop styles mixed with the influences of fine art.
Artist Brett Crawford looks at his pieces as collaborations between the work and the viewer, each an inviting narrative. His new show at 111 Minna Gallery, "Caravan," features paintings that blend pop culture, mythology, and otherwise odd moments. The show kicks off on July 6.
Tiffany Bozic once said that she felt like she was born with a heightened sense that everything is connected. Some of her earliest childhood memories take place on her family's farm in Arkansas, where she grew up watching animals being born, and also killed in a slaughterhouse. It was a nurturing and also traumatizing experience that continues to affect her art. Bozic's dream-like paintings of animals at different stages of life have appeared in several Hi-Fructose issues, most recently Vol. 30, and soon our exhibition at Virgina MOCA. Her images are visual metaphors for human and nature's shared effort to live life fully.
Fiona Roberts crafts unsettling sculptures that insert human body parts into unlikely places. Whether its drapes, wallpaper, or closely placed pillows, the Australian artist’s work adds a ghostly quality to the objects that surround us. In a past statement, the artist offers insight into why she approaches her practice with this sensibility:

Subscribe to the Hi-Fructose Mailing List