Menu
The New Contemporary Art Magazine

David Altmejd’s ‘The Vibrating Man’ Takes Over White Cube Hong Kong

David Altmejd's mindbending sculptures return in a new show at White Cube Hong Kong. In "The Vibrating Man," running through May 18, the artist offers his transforming figures and busts, each its on unsettling, yet absorbing mutation. Instead of any given piece having its own meaning, the artist has said he prefer “it to be able to generate its own meaning.” Altmejd was last featured on HiFructose.com here.

David Altmejd‘s mindbending sculptures return in a new show at White Cube Hong Kong. In “The Vibrating Man,” running through May 18, the artist offers his transforming figures and busts, each its on unsettling, yet absorbing mutation. Instead of any given piece having its own meaning, the artist has said he prefer “it to be able to generate its own meaning.” Altmejd was last featured on HiFructose.com here.

“Altmejd has described his practice as one grounded in a ‘fascination with nature, a taste for the uncanny and an excitement for unpredictable things, things that transform and that are difficult to describe,’” the gallery says. “Like living organisms, his works appear always in flux, transforming and metamorphosing, radiating an animistic energy. Altmejd collapses different narrative strands and visual points of reference to allow for multiple simultaneous readings and thematic associations.”

See more from the show below.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Obesity was once synonymous with wealth in China. That idea has evolved into a more Western equation of excessive weight gain to the unhealthy and the undesirable. Sculptor/painter Mu Boyan places a different lens on this with his series of obese figures in varying situations. His so-called “Fatty” series appears to comment on this complicated standard. At once vulnerable and exhibitionist, full of absurdity and full of humanity, these sculptures place characters in several unlikely situations, mostly in the nude.
With "Bone Pendulum in Motley" at Freight+Volume Gallery, Johnston Foster offers new, wild assemblages made from metal hardware, textiles and plastics, PVC, yoga mats, electrical wires, and other materials typically reserved for home renovation projects. Kicking off tomorrow and running through Nov. 10 at the gallery, several new pieces are included in the show.
Oakland based artist Tracey Snelling, featured in Hi-Fructose Vol. 35, creates detailed dioramas and installations of urban landscapes. Ranging from miniature to large scale pieces, her installations represent her impression of a space through the use of mixed media like sculpture, video, and photography. Hers is an imaginary world based on real places, sometimes populated by dolls and figurines, and lit dramatically by LCD screens and film stills to add a flicker of life. For her latest multimedia installation debuting on November 20th, Snelling wanted to capture the vulnerability and strength found in poverty-stricken slums around the world.
In her recent sculptures, Qixuan Lim, also known as QimmyShimmy, continues to meld everyday objects with disconcerting elements. Her recent project, created for an upcoming show at Beinart Gallery next month, inserts one of her realistic organs into dumplings. Or as she says: “For those who wonder why your wontons are so wrinkly.” Her sculptures are crafted in polymer clay.

Subscribe to the Hi-Fructose Mailing List