An avid enthusiast of mythology and cartography, Toronto-based artist Bailey Henderson sculpts the fearsome sea creatures depicted on medieval and Renaissance-era maps. She brings her bronze sculptures to life with acrylic paint and powdered pigment, creating dimensional versions of the mythical beasts sailors once feared. There’s Ziphius, a bird-faced orca rumored to slice boats in half with its dorsal fin; the cockatrice, a rooster-dragon known to kill by breathing on its victims; and the pinniped, a dog-like seal with protruding tusks. Henderson’s work is often whimsical and humorous, and brings with it a bit of history that makes it all the more fascinating.
In his first exhibition in Hungary, Dmitry Kawarga's "post-human" sculptures and installations reflect on humanity's vulnerability. His "Anthropocentrism Toxicosis” series, in particular, is on display at the Ferenczy Museum, with works built with polymers and occasionally, usage of 3D-printing processes. The exhibition runs through Sept. 15.
Murielle Belin’s dark-surrealist polyptychs are striking blends of oil painting, sculpture, woodworking, and other disciplines. "Calendrier Perpetual," in particular, shows the artist's abilities in taxidermy and building, with different corners of the piece offering surprises.
Bonsai, the art of growing miniature trees, has a magic power to transport us to another world, a quality shared by