Los Angeles based artist Jesse Mockrin (featured here) will debut a new body of work at her upcoming show opening on Saturday at Night Gallery. “The Progress of Love” is her second solo show, following “Midnight Sun” in 2014 with a series of oil paintings that revisit the French Rococo era. Mockrin reimagines source material such as Louise Élisabeth Vigée Le Brun’s “Portrait of Madame du Barry” to construct an ethereal world of transgression, luminescence and beauty. The fluid curvature of limbs and fingers, softness of facial features, and emphasis on portions of each scene by isolating them into standalone pieces themselves, are all characteristic of her work.
Tag Archives: Rococo
Luxury plays a big role in Kukula’s art and life, who once said of her subjects, “Who really knows who they are, anyway? Clothes help me decide.” We first featured her elaborate paintings of fashion obsessed pale-skinned beauties in Hi-Fructose Vol. 7, and many times on our blog, where over the years she has committed her art to capturing the beauty of Rococo and modern grandeur.
Ray Caesar’s painterly digital prints, first featured in Hi-Fructose Vol. 31, combine elements that are as grotesque as they are beautiful. He looks to his memories, particularly his own difficult childhood, to see beyond the challenges of reality and find the calm and beauty within. For his upcoming exhibition at Gallery House in Toronto, “Pretty Little Predators”, Caesar illustrates the power of memories- and their impact on our past, present and future lives. Dressed in Rococo and pre-French Revolution era attire, his subjects have a historical quality about them. Caesar sees the past as an important part of his personal life, and an equally important part of his life as an artist.
The photo-realistic works by British artist Juliette Losq (covered here) are like a portal to another world. Losq’s oil paintings and drawings on paper of forests are unique in her aggressive treatment of the medium. Her upcoming solo exhibition, “Nemora”, opening September 12th at the Fine Art Society Contemporary in London, focuses on this act of chaos in the wilderness. Her three new installations for the show are inspired by Rococo imagery and 18th-19th century Gothic architecture, visual styles influenced by faith, wealth and power.