
Jesse Jacobi’s expansive, seemingly ancient worlds reflect on the cycles of life and nature in a new show at Arch Enemy Arts. “From The Eternal Green Mouth” collects new acrylic paintings from the Michigan artist, who was last featured on HiFructose.com here. His new show opens on July 12 at the Philadelphia venue. The gallery says these works “operate in broad, open-ended symbolism as opposed to a straight narrative, to be looked at from different angles, dependent on the viewer—psychologically, emotionally, mythologically, even ecologically.”



“The fundamental principle behind this group of paintings is the very simple idea that light and darkness define each other – a concept as old as human awareness,” Jacobi says. “I hope this group of paintings reflects these feelings that we all know, which are deeply embedded in all of us.”
See more of Jacobi’s work here and read more about the gallery here.




 
  The founder of pioneering Romanian street art collective The Playground,
 The founder of pioneering Romanian street art collective The Playground,  Born in Philadelphia and raised in Fresno,
 Born in Philadelphia and raised in Fresno,  In a mid-career retrospective exhibition at the
 In a mid-career retrospective exhibition at the  In Oliver Vernon's new abstract works at an upcoming KIRK Gallery show, the artist abandons collage entirely and pushes his work forward only using acrylics. "Brushing Away the Veil," starting on Nov. 2, represents a new body of work and direction for the Brooklynite. There’s another new component to the works, as well, as Vernon says “is the excavation of buried paint layers through sanding. Since many of these pieces have had numerous stages of accumulation, they were like gold mines of hidden color.”
 In Oliver Vernon's new abstract works at an upcoming KIRK Gallery show, the artist abandons collage entirely and pushes his work forward only using acrylics. "Brushing Away the Veil," starting on Nov. 2, represents a new body of work and direction for the Brooklynite. There’s another new component to the works, as well, as Vernon says “is the excavation of buried paint layers through sanding. Since many of these pieces have had numerous stages of accumulation, they were like gold mines of hidden color.”