Menu
The New Contemporary Art Magazine

The Recent Immersive Installations of Tracey Snelling

Tracey Snelling's installations are immersive blends of sculpture, video, and photography, her makeshift buildings containing surprises in their windows and corners. Her recent, massive construction at the 58th Venice Biennale reflects on her experiences living in China, in particular. Videos shown within offer peeks into her experiences with friends; structures are inspired by actual places she visited.

Tracey Snelling’s installations are immersive blends of sculpture, video, and photography, her makeshift buildings containing surprises in their windows and corners. Her recent, massive construction at the 58th Venice Biennale reflects on her experiences living in China, in particular. Videos shown within offer peeks into her experiences with friends; structures are inspired by actual places she visited.

https://www.instagram.com/p/By8rqrKhtrd/

“Tracey Snelling gathers information through the process of wandering, observing, participating, and documenting,” the project says. “Not concerned with exact replication, Snelling creates a China-inspired world comprised of her own images and video, as well as found media, including a Chongqing rap video by the artist’s friend Jin Cheng. She gathers props and paraphernalia, placing trophies and Tsingtao beer cans on a large tenement of buildings, transforming it into a display case for her souvenirs.”

See more of her work below and other projects on her site.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Leah Yao’s talents in crafting miniatures have taken both bright and bleak forms, with the recent “Mini Memento Mori” representing the latter. More often than not, the artist's Instagram bio aptly describes her output: "I make clay food." The RISD student's above piece impresses in the details that add both humor and intrigue to the work.
Trypophobia is the pathological fear of irregularly shaped holes. If looking at sponges, beehives, and raw meat makes you squirm, please look away. Colin Christian exploits people's innate discomfort with porous organic matter in his new work for his January 3 solo show, "Trypophobia" at Stephen Romano Gallery in Brooklyn. While Christian's doll-like sculptures have been featured on our blog many times, this is his most grotesque body of work yet. Toothy holes gnaw at the silicone flesh of his large-scale characters as if an alien parasite has invaded their bodies. Some of the sculptures feature close-ups of festering skin, which Christian displays in a medical fashion. He is clearly unafraid to repulse viewers with this exhibit.
Masaya Hashimoto's images of pure white plants might not look like anything remarkable until you realize what they are made out of: the self taught artist crafts them out of the fine bone and antlers from deer near his home in Japan. In some ways, his sculptures are a byproduct of where he lived for nearly a decade, a mountain Buddhist temple where he was given the chance to closely observe the life cycle of plants and flowers like irises and chrysanthemums.
In sculptor Alessandro Gallo’s new body of work, “Most of the Time,” the artist evolves his ceramic human-animal characters in new situations and reflections. The series is on display in a show currently packing Abmeyer + Wood in Seattle until May 31. Gallo was last featured on HiFructose.com here and appeared in Hi-Fructose Vol. 24.

Subscribe to the Hi-Fructose Mailing List