Hi-Fructose Issue 73 is Coming. Here Is a Sneak Peek.
This issue features a plethora of issue exclusive articles, printed on fine art papers, HF 73 features a cover feature on Chet Zar, Amy Sherald’s American Sublime, the cardboard installations of NONAMEY, surrealistic painter Benjamin Spiers, the glitch filled landscapes of Alexis Mata, Marylou Faure’s brightly colored world, the deeply personal work of painter Celine Ducrot, the imaginative sculpted creatures of Brett Douglas Hunter, and a 16 page Special Insert Section on the work of outsider artist Stephane Blanquet. Plus a review of the new monograph of punk photographer Murray Bowles!
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Scare away unpleasant odors (and people) with the Hi-Fructose subscriber-exclusive air-freshening Ghoul by Craig Gleason. We're please to announce that all existing subscribers and the next 500 subscribers will receive this peach-smelling bad guy with Hi-Fructose Vol. 47. The freshener is made by the fine horrible people at Rubbish Rubbish.
Hi-Fructose 76 is Coming. Click Above to see sneak peeks from the next print issue.
Maximo Reira has a background in painting, photography, and sculpture, the latter of which he applies to his innovative, functional furniture designs. For his new "Animal Chairs" series, he sculpted large, realistic animals such as octopi, rhinos, and whales, using part of their bodies to create a throne-like seat. Mostly monochromatic with a natural color palette, the chairs have an elegant and otherworldly quality to them.
Interested in the intersection between tech and architecture, interdisciplinary design studio Loop.pH (composed of Mathias Gmachl and Rachel Wingfield) creates interactive, site-specific installations that allow the public to engage with budding technologies and scientific concepts in novel ways. One of their latest works, "Atmeture," was on view at the Letchworth Fire & Fright Festival, which took place on October 28 through November 6 in Letchworth, UK. "Atmeture" invited viewers to walk through an illuminated, porous tunnel in which fibers inflated and deflated with a breath-like motion. Though a bright, visual spectacle on the outside, the breathing work of art fostered a calming, meditative space in its interior.