Menu
The New Contemporary Art Magazine

Andrey Remnev’s Stirring, Elegant Paintings

Russian painter Andrey Remnev pulls from both centuries-old approaches and current, graphical influences. Yet, the artist says, the material he uses are decidedly classical in nature: “As painters of the past, I use natural pigments bound with egg yolk.” Remnev was last featured on HiFructose.com here.

Russian painter Andrey Remnev pulls from both centuries-old approaches and current, graphical influences. Yet, the artist says, the material he uses are decidedly classical in nature: “As painters of the past, I use natural pigments bound with egg yolk.” Remnev was last featured on HiFructose.com here.

The artist shares some on his home country and its impact on his work: “In the museum of Moscow’s St. Andronic Monastery I copied the best examples of the old Russian painting of the 15th-17th centuries. My own style evolved from the ancient icon painting, Russian art of the 18th century, the compositional innovations of the World of Art group and Russian Constructivism.” See more of Remnev’s recent work below.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Chinese artist Ying Yefu creates blatantly macabre paintings with a punchline. It's as if each piece involves some sort of visual joke, where one detail is altered in such a way that the forms we thought we recognized are not what they seem. A cranium peeled open to reveal red blood doubles as a watermelon parted down the middle. An infant's body is hybridized with a phallic, fleshy appendage that extends out of his head lopsidedly. Part of the visual pleasure of Ying's work is deducing the various incongruous elements at play in each piece. While Ying's art is reminiscent of the creepy-cute aesthetic popularized by Japanese painters of the generation before him (Ying was born in 1980), much of his work is executed using traditional Chinese painting techniques that tie his unmistakably contemporary style to his cultural heritage.
LA-based artist John Guy Petruzzi creates detailed watercolor paintings filled with illustrations of the natural world. While his figurative depictions of various bird and plant species are rendered with the precision of scientific drawings, the milieus these characters find themselves in morph into abstract shapes that reveal the cloudy, liquid characteristics of his chosen medium. Petruzzi works on a polypropylene synthetic paper to amplify his work's preoccupation with environmental issues. Lately, he has created entirely abstract works filled with dripping pigments. "My latest series, 'SPILLSTONES,' exploits the materiality of poured pigment to recall ongoing cycles of resource extraction," said the artist.
The latest work from artist Greg "Craola" Simkins explores the daydreams of youth, offering alternative universes and fantastical creatures. His new show with KP Projects, “The Escape Artist,” collects those new paintings and drawings. Simkins was last mentioned on HiFructose.com here, and he created the cover and was featured in Hi-Fructose Vol. 41.
Australian artist Kate Shaw combines "paint pours", collage, glitters and inks to render psychedelic landscapes. The colorful images yield awe-inspiring effects, yet are accompanied with a dark undertone. While they may capture the "transcendent beauty" of nature, at the same time they hint at the troubling environmental changes brought on by human activity.

Subscribe to the Hi-Fructose Mailing List