Menu
The New Contemporary Art Magazine

Kenta Torii’s Dynamic Paintings Packed With Traditional Iconography

Kenta Torii’s vibrant paintings are a striking blend of traditional imagery and contemporary sensibilities. The Japan-born artist, who has been based in Mexico for more than a decade, offers this in both traditional works and murals. WIthin these works are also hints of tattoo and street culture, integrated into his fantastical creatures and scenes.

Kenta Torii’s vibrant paintings are a striking blend of traditional imagery and contemporary sensibilities. The Japan-born artist, who has been based in Mexico for more than a decade, offers this in both traditional works and murals. WIthin these works are also hints of tattoo and street culture, integrated into his fantastical creatures and scenes.

A recent statement explains one particularly piece, in particular, as translated: “Japanese visual artist Kenta Torii, who since 2005 lives in Mexico presents ‘Salamandragon head.’ The circle that appears above the work says ‘dream’; below the word ‘power’ appears. It is the head of the dragon, animal that symbolizes power, the strongest and unlimited, which evolves to adapt to changes and becomes eternal. Through this work, Kenta shares a message for dreamers who want to make their dreams come true. The Salmadragon has 5 eyes that means that in order to move forward you have to have more ways of seeing the world and taking different perspectives. The 6 ears mean that you have to be alert all the time to be an expert on the ground.”

See more of the artist’s work below.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
While collecting stones along the east coast of his hometown in Maine, it dawned on artist Alan Magee how the beauty of an object draws in its own attention. His hyperrealistic acrylic and oil paintings look unbelievably like photographs, capturing the quiet intensity of those stones, pebbles and rocks that demanded his contemplation. Each is arranged in softly lit, zen like compositions, where Magee has stacked them like cairns or on top of other objects, while in other pieces, they appear scattered like a starry Milky Way galaxy, bleached white by the sun and sand with their own stories to tell.
Recent creatures crafted in the workshop of Calvin Ma make seem endearing and childlike. Yet, Ma’s ceramic sculptures are part of an ongoing, cathartic purpose, the artist says. In a statement, he describes why it was “ natural to tap into this childlike sense of exploration and storytelling through my artwork.”
John Jacobsmeyer’s plywood backdrops contain scenes that explore fantastical narratives, and lately, video game culture in particular. In his debut show at Jonathan Levine Projects, titled “Great Feats and Defeats,” continues a fascination with wood for the artist that reaches back to his childhood. The artist says that “rotary sawn pine plywood is cheap yet durable and along with being used as sub-flooring and fencing for construction sites. It’s also the material twelve-year-old children will use to build clubhouses in the woods where they’ll rule their own kingdoms, wage wars and rebuild bigger and wilder each time.” Jacobsmeyer was last featured on HiFructose.com here.
Japanese artist Ukiyoemon Mitomoya continues the ukiyo-e tradition with contemporary and political reflections, his works commenting on anything from white-collar life in Japan to Brexit. The result moves between the humorous and satirical to the enlightening, offering a different scope and perspective on the issues of the day.

Subscribe to the Hi-Fructose Mailing List