In Stuart Holland‘s charcoal drawings, reality is questioned through massive architecture and solitary figures. There’s both a cerebral and magical quality to these scenes, vague in its ties to actual reality. The gray values in his drawings, whether rendering abstract or geometric forms, add to their psychological nature.
“The subjects of these works illustrate various phases of growth in cultivating a sense of Self and purpose in a reality where chaos and consciousness are in constant flux,” the artist says. “As these figures travel within these environments, they undergo transcendental growth, finding strength, solace, and absolution in their exploration. With these higher states of consciousness on the horizon, contact with ‘selflessness’ tempers, and even subdues, the Ego; nothing exists in isolation, and all is but a microcosm of a larger plane of existence.”
See more of the artist’s work below.
Ed Merlin Murray's riveting drawings both enact and emulate motion. His movable creations, in particular, feel akin to the work of Terry Gilliam in his animation days. In his intricate line drawings, Murray offers entrancing and illusionary explorations of the human form.
Using pop culture and his distinct distortion of scale, artist 
Musician-visual artist Tetsunori Tawaraya’s sci-fi-infused drawings have garnered fans across disciplines over the years, as he has sold prints and comic books at shows he’s played with acts like Tokyo’s 2up and San Diego punk act Dmonstrations. Among his comics are the collections “Dimensional Flats” and “Grayworld,” both published by Hollow Press. The artist's collaborations include work with Volcom the band Transkam.
Images of an infant’s face marked with a plastic surgeon’s pen and an elderly woman with wrinkled skin that glows green under the light of a tanning bed are just some of the deeply disturbing images that will be displayed at