Menu
The New Contemporary Art Magazine

The Stirring, Multitextured Oil Paintings of Daniel Bilmes

Daniel Bilmes plays with texture in his oil paintings, with small and meticulous strokes crafting absorbing portraits. Often limiting his colors, Bilmes is able to extract a vibrancy out of his intricate linework and abstractions. His portraits seem to be a continuation of oil traditions while mixing in new applications.

Daniel Bilmes plays with texture in his oil paintings, with small and meticulous strokes crafting absorbing portraits. Often limiting his colors, Bilmes is able to extract a vibrancy out of his intricate linework and abstractions. His portraits seem to be a continuation of oil traditions while mixing in new applications.

“His approach is characterized by deep personal exploration, combining realism with elements of symbolism and abstraction,” a statement says. “Through tactile textures and delicate expressions, his paintings weave together the magical and mundane. His work is at once hopeful and brooding. Realistic and symbolic.”


Blimes is the son of respected painter and educator Semyon Blimes, who is known for crafting advertising campaigns for CBS and AT&T and working on covers for the New York Times and Reader’s Digest. Semyon Bilmes is the founder of Bilmes Art School.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Matt Hansel’s painstakingly crafted oil and flashe paintings span periods of art history, remixing and interpreting in collage-like pieces. The blending of Renaissance and Lowbrow iconography is pushed further into surrealism with Hansel’s abstractions, which also defy the painter’s chosen tools, and his use of exposed linen. The artist, an MFA graduate of Yale, has been shown across the U.S. and in Tokyo, London, and beyond.
As a young girl, artist Margaret Bowland's favorite books and songs told stories about love and life, stories that condition girls to expect certain things out of life and want to be a certain way. Ideas about love, beauty, and personal identity are at the heart of her 19th century-inspired oil paintings, covered here. In particular, her portraits often feature the same African American girl named "J", grandly styled with her face painted white, and attended to by white servants. She makes a reappearance in Bowland's upcoming exhibition at Driscoll Babcock in New York, "Power".
Lola Gil’s stirring painted narratives and portraits return in a new show at Roq La Rue Gallery in Seattle. “Thirsty” collects several recent works, including continuations of her portraits in which subjects are reflected through vintage glass figurines. Gil was recently featured in Hi-Fructose Vol. 48. “Thirsty” kicks off at the gallery on March 8.
Adrian Cox’s oil paintings capture scenes with his fictional Border Creatures, dwellers of the so-called “Borderlands” and hybrid creatures that blend the flora, fauna, and minerals of their environment. In two new shows, one at 111 Minna Gallery in San Francisco and the other at Australia’s beinArt Gallery, Cox tells new narratives within this context. Both shows run through most of June. You may remember Cox from this 2015 HiFructose.com piece on the artist.

Subscribe to the Hi-Fructose Mailing List