Menu
The New Contemporary Art Magazine

Emmanuelle Moureaux’s Hanging Forest Made of 20,000 Pieces of Paper

When French designer Emmanuelle Moureaux first arrived in Tokyo, she became fully fascinated by the colors overflowing on the street. She found that the city's overwhelming number of store signs, flying electrical cables, and flashes of blue sky framed by various volumes of buildings created three dimensional "layers". The flood of various colors that pervade the city streets are mirrored in her design installations, which build up a complex depth and intensity of space. These experiences of colors and layers are in the inspiration of Moureaux's latest project, "bunshi" (meaning "ramification"), which means to divide or spread out into branches- a rainbow-colored suspended forest made on 20,000 pieces of paper shaped like twigs in 100 shades of color.

When French designer Emmanuelle Moureaux first arrived in Tokyo, she became fully fascinated by the colors overflowing on the street. She found that the city’s overwhelming number of store signs, flying electrical cables, and flashes of blue sky framed by various volumes of buildings created three dimensional “layers”. The flood of various colors that pervade the city streets are mirrored in her design installations, which build up a complex depth and intensity of space.

These experiences of colors and layers are in the inspiration of Moureaux’s latest project, “bunshi” (meaning “ramification”), which means to divide or spread out into branches- a rainbow-colored suspended forest made on 20,000 pieces of paper shaped like twigs in 100 shades of color. Moureaux’s installation is part of the “WOOD FURNITURE JAPAN AWARD 2016” which has returned to Tokyo at SPIRAL art space after a successful launch in Paris in January. She describes the work as “grand, yet intricate. Chaotic, yet in harmony,” as the installation gives an experience of being in a forest, wondering among the world of colorful branches.

Though appearing randomly placed, each “branch” is in fact perfectly aligned in three dimensional grids creating a tunnel-like path, where wood furniture is placed along the edge of the curved path. The color of atmosphere gradually changes as one walks through the tunnel. “Each module is a metaphoric expression of the phenomenon of ramification, which symbolizes the encounters between designers and artisans as their paths intersect and diverge with valuable experiences, leading them to a new path,” writes Moureaux at her website. “I want my designs to inspire people to feel emotion as I felt when I saw the beautiful colors of Tokyo.”

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Belgian-born, Stockholm-based artist Carsten Höller creates interactive installations that reimagine the functionalities of commonplace objects and spaces. His recent piece for Gagosian Gallery at Frieze New York invited viewers to enter an Alice in Wonderland-inspired room where gigantic, textured mushroom sculptures hung over their heads.
In Max Hooper Schneider's lush sculptures and installations, his experiences in marine biology and landscape architecture prove to be ever-present influences. His Hammer Projects exhibition at Hammer Museum in Los Angeles is immersive and packed with too many details for one viewing, packed with found objects amassed over several years. The exhibition runs through Feb. 2 at the museum.
Though multimedia artist Carlito Dalceggio hails from Canada, he finds himself incorporating a world view into his work- colorful and frenzied compositions inspired by tribal art motifs, and master painters like Italian artist Amedeo Modigliani and Vincent Van Gogh. His spiritual and symbolic images of things like kites, peacock feathers and masks also recall Mexican popular art, Picasso’s cubism, Rauschenberg’s abstract expressionism, and Matisse’s primitivism.
Mario Mankey, a Valencia-born artist, creates large-scale installations and murals that feel at once comical and bleak. His recent installation at The Haus in Berlin, titled “Ego Erectus,” is indicative of this. The massive feet, which extend from the ceiling of the room, dwarf viewers and hint at an ever-present burden of humanity.

Subscribe to the Hi-Fructose Mailing List