Menu
The New Contemporary Art Magazine

Peter Olson Transfers His Photography onto Ceramic Objects

Pennsylvania based photographer Peter Olson has found a unique way of presenting his photographic prints. Also a sculptor, he doesn't stop at traditional photo paper- his photo-montages of people and places he's visited are produced on a series of ceramics that he calls "Photo Ceramica". Olson's photos are encased on each piece, left by ink from prints that, when fired, burn away and leave a permanent image from the iron oxide in the ink. The form of a three-dimensional object, such as an urn or a plate, instantly makes his photo works more dynamic and complex.

Pennsylvania based photographer Peter Olson has found a unique way of presenting his photographic prints. Also a sculptor, he doesn’t stop at traditional photo paper- his photo-montages of people and places he’s visited are produced on a series of ceramics that he calls “Photo Ceramica”. Olson’s photos are encased on each piece, left by ink from prints that, when fired, burn away and leave a permanent image from the iron oxide in the ink. The form of a three-dimensional object, such as an urn or a plate, instantly makes his photo works more dynamic and complex. For example, his piece titled “New York City Urn No. 8” presents a 360 degree portrait of the city through Olson’s eyes, from the towering Chrysler building at the tip of the piece to the hustle and bustle of New York’s Penn Station below it. Works such as this are like tiny trophies of his experiences, a union between one of history’s oldest art forms and the camera.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Dutch artist Jasper de Beijer can be considered a historian of sorts, using sculpture-based photography to inspire new ideas about the past. The underlying theme in his work is the impact that the media's representation has on our collective understanding of history. de Beijer aims to deconstruct the media by staging historical events as 3D models, photographing them and then distorting them in his studio- the result of which looks stunningly more like drawings or illustrations than actual photographs. Each image taken is of a physical set made of drawn material and constructed bodies, environments, and ephemera.
Though they're created digitally, Can Pekdemir's portraits mimic the high-contrast values of daguerreotypes. Pekdemir conjures up strange, furry creatures using 3D modeling software, giving them hefty forms and believable textures. The results look as if these characters walked into the artist's studio and posed for the camera. Presented as framed, archival prints, his pieces could pass for photographs. Pekdemir seems to be testing the boundaries between two and three dimensions, virtual and physical. We often take photography to be a truth-telling medium, but Pekdemir exploits this assumption to engage his viewers with these fictional personalities. Take a look at some of his recent work below.
Canadian photographer Sarah Anne Johnson captures impassioned moments, expressing the emotion behind them by painting and etching directly onto her prints. In her latest series, "Wanderlust," the artist captured sexual intimacy, photographing partners as well as individuals. Johnson's view of eroticism comes across subtly. None of her models appear to be performing for the camera. They seem so at ease that one begins to wonder how Johnson gained access into her subjects' most private experiences. The abstract embellishments she adds to her photos float like auras around the figures, as if the psychic connection between them has become tangible for us to witness.
Move aside Wes Anderson. Todd Baxter’s “Owl Scouts” look like stills from a movie, but they are part of a dark and exciting photo series that sparks the imagination. This ongoing series follows two fictional scouts experiencing life’s challenges and misadventures. They experience every danger the wilderness has to offer, from nearly drowning to being swept up by a tornado. The custom badges worn on their sleeves tell an untold story of happier times of riding grizzly bears and deer. Upon closer inspection, it’s easy to forget these are photos. The color and lighting is surreal, the details are impeccable, and the scenes are other-worldly, often terrifying. Read more after the jump.

Subscribe to the Hi-Fructose Mailing List