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Mu Pan, Nicola Verlato, and More Channel Their Sense of Adventure in “Blaze of Glory”

International artists channel their sense of adventure into new works for Gallery Poulsen's show, "Blaze of Glory." Opening tonight, the exhibition presents adventurous paintings in both concept and style. Their collective vision is not the Wild West that you've seen in movies. Each explores their respective cultures, or the very idea of exploration, whether inspired by the American Fronteir to Eastern historical battles. Check out our preview after the jump.


Nicola Verlato

International artists channel their sense of adventure into new works for Gallery Poulsen’s show, “Blaze of Glory.” Opening tonight, the exhibition presents adventurous paintings in both concept and style. Their collective vision is not the Wild West that you’ve seen in movies. Each explores their respective cultures, or the very idea of exploration, whether inspired by the American Fronteir to Eastern historical battles. Perhaps there is no greater example of Western conflict here than in Nicola Verlato’s (Hi-Fructose 3) work. His sweeping figurative paintings re-contextualize stories about the “Conquest of the West” to “How the West Was Won”. Verlato’s “Attack on the Settlement” portrays a group of settlers being overtaken by Native Americans in monochrome. The image represents an abrupt interruption of industrial progress, as they are unable to complete their structure, which collapses into geometric pieces.


Christian Rex van Minnen works on “Still Life with Journal Entry and Diabetes” during our studio visit with the artist.

Dramatic themes are a characteristic of Mu Pan’s art, whose acrylic painting illustrates confrontation between Japanese, Chinese and Taiwanese culture. Gigantic animals, here a “Sharkuza,” are often at the center of complex warfare stirring with tiny fighters. Christian Rex van Minnen’s (HF Vol. 25) adventurous spirit, on the other hand, can be found in the chaos of his imagery. We recently visited with Minnen in his studio, where he was finishing his piece for the exhibit, “Still Life with Journal Entry and Diabetes”. The concept of adventure exists in his composition; a mixture of lumped forms, ripened fruits and florals, which appear to jump off the canvas. Take a look at more pieces in “Blaze of Glory: New Art from New York Part VI,” opening today.


Christian Rex Van Minnen


Mu Pan


John Jacobsmeyer


Jean-Pierre Roy

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As part of our on-going Miami Art Week coverage, we also went to check out the best of the Miami Project and Art on Paper fairs. Though previously the home of NADA, this year, the Deauville Beach Resort on South Beach played host to the neighboring sister fairs. Miami Project is now in its fourth year and known for exhibiting lesser known galleries than the monstrous Basel, while Art on Paper focused on primarily paper works, though this was not a rule strictly followed by the work on display. Take a look at more of our highlights from Miami Project and Art on Paper after the jump!
Christian Rex van Minnen's paintings (featured in HF Vol. 25) are painstakingly laborious. The artist uses the techniques of the Northern Renaissance masters to paint tripped-out portraits and still lifes where his subjects devolve into bulbous, tumor-like lumps of flesh and organic matter. While Van Minnen's work is commonly interpreted as being about deformity, when we visited the artist's studio in Brooklyn a few weeks ago, he discussed the conceptual underpinnings of his creative process. Take a look at our photos from Van Minnen's studio after the jump.
New York based artist Eric White paints dreamlike images that he "disrupts" with elements of old Hollywood movies and glamour. We are usually looking at his subjects from strange angles, peering over their shoulders and into their vintage car interiors in a voyeuristic way. Previously featured on our blog, White's work doesn't seem to fit any particular visual category. The scenes he creates are unreal and defy logic but aren't entirely Surrealism, and while figurative, cannot be called Realism - he has used the term "paranoid social realism." He continues to exhibit his fascination with confined settings and cinema imagery in his latest series of oil paintings, which debuted last night at Serge Sorokko Gallery in San Francisco.
While he typically works small scale, painter Christian Rex van Minnen (featured in HF Vol. 25) says he was delighted at the opportunity to go big when arts organization Artha Project and Prince Media approached him to create an enormous billboard of his work. On view at the corner of 6th Ave. and Grand St. in Tribeca through Saturday, the billboard features an enormous print of one of his paintings for his January exhibition at Robischon Gallery in Denver. The billboard has been puzzling New Yorkers and van Minnen noted on Facebook that Prince Media has been receiving inquiries from confused passersby who can't figure out whether the work is an advertisement.

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