Menu
The New Contemporary Art Magazine

Jeremyville Debuts Character Sculptures with a Message in Bangkok

In 2010, street artist and character designer Jeremyville began posting a series of daily illustrations at his blog called "The Jeremyville Community Service Announcments." In his quirky and colorful style, those simple images and words resonated with people online and before long, the project went viral. Today, there are over 500 announcements in the series. In theme, it touches upon pop-culture topics and as Jeremyville describes, "everything about what it means to be human." For his current exhibition at Groove@CentralWorld in Bangkok, Jeremyville reimagined some of his most popular CSA's as giant sculptures. 

In 2010, street artist and character designer Jeremyville began posting a series of daily illustrations at his blog called “The Jeremyville Community Service Announcments.” In his quirky and colorful style, those simple images and words resonated with people online and before long, the project went viral. Today, there are over 500 announcements in the series. In theme, it touches upon pop-culture topics and as Jeremyville describes, “everything about what it means to be human.” For his current exhibition at Groove@CentralWorld in Bangkok, Jeremyville reimagined some of his most popular CSA’s as giant sculptures. Titled “A Trip to Jeremyville,” his exhibition also features streetscapes and new messages from the series – messages like “Don’t Be So Square,” featuring a circle-shaped SpongeBob SquarePants, and “Own Your Own Strangeness,” one of his new sculptures. While his characters are fun to look at, there is a more serious intention behind them. Having already visited cities like Hong Kong, Belgium, Paris, and Italy, Jeremyville hopes to inspire the same positivity and productivity in Thailand. He is a believer in the power of art as communication, and that an unforgettable image can help change the world.

“A Trip to Jeremyville” is now on view at Groove@CentralWorld, Bangkok through December (closing date to be determined).

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Andrew Schoultz's art is filled with chaotic imagery, expressing a rather dystopian vision through a variety of techniques, from sculpture to collage, street art to installations to paintings. Featured here on our blog, his eclectic work cultivates an arsenal of personal symbolism: fragments of dollar bills, fractured Grecian urns, ripped American flags, war horses, and slave ships are just a few of the symbols he uses to juxtapose Western culture with allusions to conflict and exploitation.
We all have a place we want to be, whether that place is a city we want to visit or something we want to achieve in our lives. This is the inspiration behind Los Angeles based artist Bumblebeelovesyou's upcoming exhibition. Opening on June 20th at Thinkspace Gallery, "#WhereWeBeelong" represents this shared dream in images of children wearing bee-striped shirts. When we visited Bumblebee at his Culver City studio, he shared, "I feel that the children in the paintings are exactly where they belong at that particular moment in their childhood which we all can relate to."
A few weeks ago, we gave readers a small taste of the many, enormous murals that went up at We AArt Festival in Aalborg, Denmark (see our coverage of Aryz, Escif and Kenor's walls here). The festival was envisioned as a way to bring more public art to the mid-sized city and featured international artists with a penchant for large-scale work that Hi-Fructose readers will recognize. Interesni Kazki, a duo from Ukraine known for their storybook-like murals, split up and tackled two separate walls. Puerto Rican artist Alexis Diaz typically draws inspiration from the natural world for his depictions of hybridized creatures. His piece for We AArt depicts a skeletal horse encased in an armor of tree branches with an ink-like technique atypical of outdoor work. Other artists included Jaz, Liqen, Don John and Fintan Magee. Check out photos of the murals below.
Japanese Pop artist Keiichi Tanaami has rarely seen artwork now on view at New York contemporary art gallery Sikkema Jenkins & Co. When we covered his 2013 solo exhibition at Mizuma Gallery, his art went through a turning point. His fascination with life after a near-death experience inspired him to look to the future, rather than the past. The artwork in this show is not new- but Tanaami's mixture of motifs from the past inspires modern questions that keeps his art relevant.

Subscribe to the Hi-Fructose Mailing List