
When you hear the word “tapestry”, you might think of classical, lavish pastoral images dotted with decorative designs. Erin M. Riley is an artist who brings the medium into a new Contemporary context with her insightful portrayals of modern women. Her previous solo exhibition, “Something Previous” (featured here) borrowed inspiration from the internet. In a world where we can share our every thought and most intimate moments, we tend to lose our sense of boundaries. This is a concept that continues to intrigue Riley, which she extends into her current show “Darkness Lies Ahead” at Joshua Liner Gallery in New York. Notably, the exhibition features her largest pieces to date on display, some just over eight feet wide. The show is also decidedly darker, debuting a new series that captures the trauma of roadside accidents. Titled “The History Pieces”, the series recreates scenes of wrecked cars and tire skid marks, alluding to the tragedy that has taken place. Riley likens these as a metaphor for her own personal tragedies or experiences, including her relationships with men. She displays them alongside her more signature nude “Selfies” series, anonymous women photographing themselves with their iPhones. There is another underlying link between the two ideas and that is our modern day voyeuristic interest in someone else’s business. In a way, scrolling through someone’s Instagram account is no different than rubbernecking, and Riley captures this morbid curiosity with increasingly provocative pieces. “Darkness Lies Ahead” by Erin M. Riley is now on view at Joshua Liner gallery through June 6th.













 
  Sparkles, tapestries, sculptures, tampons (she calls them "pussy bullets"), toys, they all find their way into
 Sparkles, tapestries, sculptures, tampons (she calls them "pussy bullets"), toys, they all find their way into  
  
  In 2011, Feminist artist group the Guerilla Girls discovered that fewer than 4% of artists in the Metropolitan Museum’s modern art section are women. While things are getting better, statistics still show that opportunities are low for women in the art world, with women earning 29% less than their male counterparts. In the spirit of the Guerilla Girls, FFDG Gallery in San Francisco has rounded up a group of 25 international female artists to represent the 4%. They call themselves the "4%ers": Mariel Bayona, Pakayla Rae Biehn, Monica Canilao, Claw Money, Deb, Lola Dupre, Kristin Farr, Michelle Fleck, Angela Fox, Mel Kadel, Aubrey Learner, Lauren Napolitano, Kelly Ording, Pacolli, Meryl Pataky, Emily Proud, Bunnie Reiss, Erin M. Riley, Jenny Sharaf, Minka Sicklinger, Winnie Truong, Kelly Tunstall, Nicomi Nix Turner, and Lauren YS working in various media.
 In 2011, Feminist artist group the Guerilla Girls discovered that fewer than 4% of artists in the Metropolitan Museum’s modern art section are women. While things are getting better, statistics still show that opportunities are low for women in the art world, with women earning 29% less than their male counterparts. In the spirit of the Guerilla Girls, FFDG Gallery in San Francisco has rounded up a group of 25 international female artists to represent the 4%. They call themselves the "4%ers": Mariel Bayona, Pakayla Rae Biehn, Monica Canilao, Claw Money, Deb, Lola Dupre, Kristin Farr, Michelle Fleck, Angela Fox, Mel Kadel, Aubrey Learner, Lauren Napolitano, Kelly Ording, Pacolli, Meryl Pataky, Emily Proud, Bunnie Reiss, Erin M. Riley, Jenny Sharaf, Minka Sicklinger, Winnie Truong, Kelly Tunstall, Nicomi Nix Turner, and Lauren YS working in various media.