If the Addams' family's Thing multiplied and mutated, it would resemble something like Alessandro Boezio's sculptures. The artist works in clay and fiber glass to create creepy-crawly anatomical forms that remix the human body. Boezio is particularly fascinated with hands and feet, often mingling digits and limbs in unholy ways. Though there's nothing particularly explicit about his work, seeing severed hands standing up by themselves without a body attached is enough to make our skin crawl.
If the Addams’ family’s Thing multiplied and mutated, it would resemble something like Alessandro Boezio’s sculptures. The artist works in clay and fiber glass to create creepy-crawly anatomical forms that remix the human body. Boezio is particularly fascinated with hands and feet, often mingling digits and limbs in unholy ways. Though there’s nothing particularly explicit about his work, seeing severed hands standing up by themselves without a body attached is enough to make our skin crawl.
Kevin Francis Gray’s malformed and surreal figures, rendered in varieties of marble and fiberglass, exhibit both a more honest, visceral reflection of humankind in their incompleteness. The Ireland-born, London-based sculptor creates work that in its seemingly soft form, defies its stubborn material. Shown both against interior and exterior backdrops, that quality plays with its surrounding environment.
Karine Jollet's collection of brains, hearts and skulls sounds like something out of a scary film - but her creations are far from gruesome. Rather, her anatomically inspired soft sculptures appear dreamy and elegant. "Observing anatomy fills me with wonder and respect," the artist writes on her website, "In my eyes, there is nothing morbid in anatomy; I can only see the beauty and wonderful complexity of forms and vital functions."
We might not think much of sheets of paper, something we see every day, strung together in our notebooks and journals. German sculptor Angela Glajcar sees something light and delicate, with the power to take us to another place. She has exhibited her paper-produced works and suspended sculptures all over the world, with her latest installation on view at Heitsch Gallery in Munich, Germany. Titled "Weiss Ist Das Neue Schwarz" ("White is the new black"), her new work plays with opposites- solid blocks of light paper that float freely in the gallery space.
In her new sculptures and digital paintings, Debora Cheyenne helps forge the current evolution of Afrofuturism. Her new show at Barney Savage Gallery, titled “Entre Vues,” offers themes of “post-web racial and Pan-African identity,” in her signature soft hues that are visceral in their sculptured form.
