Menu
The New Contemporary Art Magazine

Christian Edler’s Self Portraits Show the Artist At Odds with Himself

Christian Edler's self-portraits hint at an inner conflict brewing within the artist's psyche. Edler uses his own likeness for surrealist visual experiments, painting himself with various mutations that explore the battles we have with ourselves. In one work, Edler's face multiplies over and over, creating a web of mouths, fingers, and eye sockets that seems bent on destroying itself. In another piece, he collapses face down in resignation, his face cracking like a ceramic vase. Other works are more hopeful, however, like the one where he cuts himself loose from puppet strings and heads towards a new destiny.

Christian Edler’s self-portraits hint at an inner conflict brewing within the artist’s psyche. Edler uses his own likeness for surrealist visual experiments, painting himself with various mutations that explore the battles we have with ourselves. In one work, Edler’s face multiplies over and over, creating a web of mouths, fingers, and eye sockets that seems bent on destroying itself. In another piece, he collapses face down in resignation, his face cracking like a ceramic vase. Other works are more hopeful, however, like the one where he cuts himself loose from puppet strings and heads towards a new destiny.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
The small-scale gouache paintings by Paola Ciarska offer peeks inside private homes, with pop and fine art gems scattered throughout. The artist often depicts intimate moments, with personality present across the empty rooms. (Also presents are hints at her subjects being webcam performers or other Internet activity.)
In recent work, Andrew Salgado’s paintings blend figurative and abstract elements, while sneaking in allusions to historical artists and contemporary practitioners. As his approach to work has changed, the London artist says the paintings take new directions as he works, saying that having no set plan “offers greater challenges but I think yields better results.”
Beijing-based painter and illustrator Alice Lin creates nostalgic, whimsical works on paper. The world she develops evokes Victorian-era storybook illustrations with its lush, ornate flora as a recurring decorative motif, but the artist's imagery is far more contemplative and melancholic. Using watercolor and natural mineral pigment, she envelopes her characters in a marbled texture with wisps of gradients that seem to float though her scenes like fog. As viewers, we come upon her characters in moments of contemplation, staring with downcast eyes or obscuring their faces from our gaze.
Liu Guangguang was born in China’s Gansu province. He attended Lu Xun Academy of Fine Art. He lives and works in Shenyang and Beijing. He’s a member of the Beijing-based EDGE Creative Collective. His recent work is about scale. His figures (and animals) go about their normal activity. They check their phones. They play cards. They get ready for bed. The people smile without a care in the world. Despite the normalcy of each image, something’s unusual, if not wrong. Either the figures have miniature heads or else their bodies are gigantic. Their fingers and necks are elongated. A few have huge eyes. One woman has the floppy ears and trunk of an elephant.

Subscribe to the Hi-Fructose Mailing List