Costa Dvorezky paints human figures with broad, luxurious brushstrokes that leave traces of dripping paint throughout his work. Though characters are at the center, Dvorezky prioritizes his expressionistic painting style over creating a narrative. Backgrounds melt away into abstract markings that transport his men and women into an imaginary space where they appear to defy gravity. Their bodies float, swing, and tumble with the levity and grace of trained acrobats and dancers.
Costa Dvorezky paints human figures with broad, luxurious brushstrokes that leave traces of dripping paint throughout his work. Though characters are at the center, Dvorezky prioritizes his expressionistic painting style over creating a narrative. Backgrounds melt away into abstract markings that transport his men and women into an imaginary space where they appear to defy gravity. Their bodies float, swing, and tumble with the levity and grace of trained acrobats and dancers.
When Lise Stoufflet creates an artwork, she begins with an intention. Only the titles, such as "Tous" (All) or "Magi" (Magic) offer clues as to the French artist's original motivations to convey a concept, mood or atmosphere. As Stoufflet explains in a French-language interview with Boum Bang Magazine, the artist is often surprised by the resulting images, such as that of "Tous," in which blindfolded men in identical blue uniforms lay on the ground, bound by hand and foot with strings.
The paintings of Los Angeles based artist Danny Galieote seem to have one foot in the past and one in the future, a style that he describes as "Pop Regionalism", combining Pop art and Regionalism art aspects. Growing up, Galieote spent much of his time listening to his grandfather's war stories, eventually going on to work as an animator on films like The Lion King, Tarzan and Hercules at Disney's Florida studio, a job that requires fundamental understanding of the human figure and stylizing it to suit animation. His command of drawing the figure and appreciation for art and history between the 1920s and 1950s comes together in his uniquely American imagery, recalling those days of the American heartland with apparent modern touches.
Obesity is gaining legitimacy as a health epidemic, especially in America, the birthplace of the fast food chain. But it's not a new issue for Pop Surrealist painter Ron English. First featured in Hi-Fructose Vol. 12, his colorful anti-corporate and cartoon-inspired works have long addressed his interests in all things mass-produced, including food and our increasing tendency to over eat.
Stephanie Buer’s paintings and drawings capture structures in varying states of decay, yet at times carrying a hidden elegance. In “Wild Abandon” at Thinkspace Projects, she continues a body of work with roots in her time living in Detroit. Buer was last featured on HiFructose.com here.
