Menu
The New Contemporary Art Magazine

Stephanie Buer’s Eroded Cityscapes Return in ‘Wild Abandon’

Stephanie Buer’s paintings and drawings capture structures in varying states of decay, yet at times carrying a hidden elegance. In “Wild Abandon” at Thinkspace Projects, she continues a body of work with roots in her time living in Detroit. Buer was last featured on HiFructose.com here.

Stephanie Buer’s paintings and drawings capture structures in varying states of decay, yet at times carrying a hidden elegance. In “Wild Abandon” at Thinkspace Projects, she continues a body of work with roots in her time living in Detroit. Buer was last featured on HiFructose.com here.

“The invasive quality of quiet that shapes Buer’s contemplative works is unique; they are arresting in that they abruptly apprehend the passage of time,” the gallery says. “Her paintings still a moment in the temporal lifespan of these abandoned structures, some in more advanced states of deterioration than others. They exist on the outskirts of time and space, divested of use and function. By capturing the relics of urban development exhausted or gone wrong, her works reveal a fascination with the cyclical life of these structures, and their fate once returned to the lawlessness of margins.”

See more of her works from the show below.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Originally from Prague, Frank Kortan began his career as a musician before moving to Germany and making the switch to painting in the 1990s. His work is surrealist in the traditional sense of the word. He mixes symbolism to brew strange concoctions of imagery that represents the chaotic milieu of the subconscious. A student of philosophy and psychology, Kortan frequently references thinkers like Freud and Breton in his paintings. His realist painting skills make it possible for viewers to suspend disbelief and enter the bizarre world of his imagination.
This June, Kazuki Takamatsu kicks off a double solo show at both locations of Dorothy Circus Gallery, in Rome and London. “For Tomorrow” collects new paintings that bridge analog and digital art, crafting gouache and acrylic layers that recreate figures first imagined using 3-D software. The artist uses this method to also tether both Eastern and Western culture. Takamatsu recently created the cover for the Hi-Fructose Collected 4 Box Set.
American artists — from the painters of the Hudson River School to the influential Andrew Wyeth — have long depicted this country’s vast landscape as simultaneously a place of lonely desolation and of awe-inspiring grandeur. Following in this tradition, Andrea Kowch creates gorgeous and eerie acrylic paintings of open-skied pastoral landscapes. Inspired by a deep fascination with the natural world, Kowch’s works also tap into a common feeling of uneasiness many of us have toward the American rural – a place that is iconic for its beauty but that is also often associated with tedium, isolation and a clinging to negative aspects of the country's past.
VILE’s illusionary murals often use the artist’s own moniker as windows into fictional places, whether a continuation of the inhabited space or another dimension. Elsewhere, the artist presents figures that live along the contours of a room or outdoor locale. In recent years, he's participated in projects in Germany, Portugal, London, and beyond.

Subscribe to the Hi-Fructose Mailing List