Menu
The New Contemporary Art Magazine

The Figurative Sculptures of Chie Shimizu

Carrying a mystical undercurrent, Chie Shimizu’s sculptures are rooted in an exploration of "the significance of human existence.”  The artist, born in Japan and based now in Queens, New York, has crafted these riveting figures over the past couple decades, moving between different scales and textural approaches.

Carrying a mystical undercurrent, Chie Shimizu’s sculptures are rooted in an exploration of “the significance of human existence.”  The artist, born in Japan and based now in Queens, New York, has crafted these riveting figures over the past couple decades, moving between different scales and textural approaches.

“My work is about the eternal question that arises throughout ones life: What is the significance of human existence?” the artist says. “Human life seems small and vulnerable against the immensity of nature, yet each life is unique and full of energy, such that I believe the short spans of our lives are comparable to what otherwise seems to loom so large. … The subject of sculpture is always someone in general, rather than one in particular. It is my attempt to entice people to relate to the positions of those sculpted figures. The objects on the figures are reflections of ones life – metaphor and suggestion of what life might be about. Most of my works have been “untitled,” my intention being to speak directly to intrinsic senses while avoiding premeditated impressions. My aspiration is to reach the innermost soul by finding messages in simple things that people see, feel and experience everyday – things that are essential, but easily forgotten.”

See more work on her site.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Most aspiring artists' dream is to quit their 9-to-5. Isaac Cordal's miniature sculptures make us acutely aware of the soul-sucking nature of a creatively unstimulating environment driven by habit and routine. Cordal molds legions of tiny, middle-aged men in suits who navigate dreary, oppressive environments. He places them in dioramas and sometimes even outdoors, creating scenes by utilizing elements of the existing architecture. His solo show "Moments de Solitude" opens on February 5 at Spacejunk Art Centers in Bayonne, France and will be on view there through April 4. The exhibit will travel to Spacejunk's other locations in Lyon (April 16 through June 6) and Grenoble (June 19 through July 25).
Melbourne, Australia based artist Alex Sanson began sculpting in the early 90s with a series of small, toy-like sculptures greatly inspired by Alexander Calder's circus, a pioneer of moving sculpture. Since then, Sanson's repertoire has developed to include both small scale and gigantic kinetic works, some interactive and activated by touch, others hand-operated. His wildly imaginative works have taken Calder's original output and brought to it a new sense of play and movement.
Portland illustrator Song Kang blends architecture and natural structures in both her intensely detailed drawings and her absorbing sculptures. The latter even uses the inherent forms of the animal kingdom as foundations for her designs. The "Vernacular" series has works created from wood, paper mache, plaster, fiber, recyclables, and other materials.
Jenny Morgan’s honed blend of abstraction and realistic portraiture unlocks new paths to the personalities she paints. In a new survey of the past decade of her work, viewers can see how that sensibility evolved—and how she approaches giving the portrait treatment to celebrities, when commissioned by national publications. The Museum of Contemporary Art Denver hosts this exhibition, which runs through Aug. 27. Morgan created the cover for Hi-Fructose Vol. 39, and she was last featured on HiFructose.com here.

Subscribe to the Hi-Fructose Mailing List