The work of Margaret Curtis moves between provocative and quiet moments, each reflecting both on our current social climate and the act of painting itself. She has said that her process is “a geological process of layering and erosion.” In a statement, she offers some insight into the more consistent themes in her paintings over time:
“My work has always been concerned with power,” the artist says. “Recently, I began working with more precise representation to create large-scale, complex—yet open— narratives that explore power dynamics within everyday relationships. My subject matter is feminist, personal, political: the body as occupied territory, autonomy won through confrontation.”
See more of her work below.
A terrifying force from the natural world comes into focus in Jana Euler's current show, “Great White Fear,” at 
Anna Hoyle’s paintings of fake but humorous books are full of self-deprecation and universal absurdities (like the plight of depending on an IKEA pencil). One of our favorite details on her gouache paintings are the price stickers, which can carry their own jokes on each piece.