Menu
The New Contemporary Art Magazine

Sasha Frolova’s Inflatable Ode to Marie Antoinette

Artist and performer Sasha Frolova is known for crafting synthetic experience, teeming with color and pop. Inside France's Etretat Gardens, she recently staged an ode to Marie Antoinette (and her love of oysters) with her signature, inflatable fashion pieces, such as towering, faux hairdos, form-fitting suits, and in this case, a “a inflatable "boudoir-trampoline." (Frolova is featured in the upcoming Hi-Fructose: New Contemporary Fashion, which you can read more about here.)


Artist and performer Sasha Frolova is known for crafting synthetic experience, teeming with color and pop. Inside France’s Etretat Gardens, she recently staged an ode to Marie Antoinette (and her love of oysters) with her signature, inflatable fashion pieces, such as towering, faux hairdos, form-fitting suits, and in this case, a “a inflatable “boudoir-trampoline.” (Frolova is featured in the upcoming Hi-Fructose: New Contemporary Fashion, which you can read more about here.)

“With my friends, dancers and musicians, we will wander all weekend in the gardens of Etretat the pages and ladies of Marie Antoinette,” she told the newspaper Paris-Normandie, as translated. “I created especially for this exhibition an inflatable giant boudoir in the shape of an oyster shell to pay homage to Marie-Antoinette and the parks she had had installed in Étretat. She had oysters brought to Versailles every week. I play Marie-Antoinette in her latex cyber-princess crinoline dress. We distribute macaroons to visitors wandering among them.”

See more scenes from her events below.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Kat Toronto, a.k.a. Miss Meatface, shows her stirring blend of performance art, photography, ceramics, zines, and more in a new exhibition at The Untitled Space in New York. The multidisciplinary artist, who was featured in Hi-Fructose Vol. 47, is offering work that the gallery says spans several years. The gallery says her works “explore cultural ideals of feminine beauty and the objectification of women in a feminist society by toying with the push and pull of dominance and submission, as well as the acts of revealing and concealing.” Her exhibitions runs through July 13.
Jack Irving’s wearable art carries a texture and movement that take the human body to otherworldly places. In his latest “live installations,” whether on the runway or at the Victoria and Albert Museum in London, his works appear to burst from their models. These settings also show how his work functions in both broad daylight and the sets he designs himself.
GWAR was never an ordinary rock band. And in the recent documentary This Is GWAR, director Scott Barber digs into the past and present of the music and art collective that simultaneously defied categorization while infiltrating late twentieth century pop culture and continues to entertain fans today with heavy metal and elaborate—even gory—stage shows. Read Liz Ohanesian's full article by clicking above.
Seiran Tsuno's ghostly dresses rest above the bearer and recontextualize the human body. The Japanese artist’s fluorescent creations are designed using a 3D pen, and in creating this work, Tsuno cites her 75-year-old grandmother has her muse.

Subscribe to the Hi-Fructose Mailing List