Menu
The New Contemporary Art Magazine

Junko Mizuno Brings ‘Takarabune’ to Gallery Nucleus

Japanese manga artist Junko Mizuno depicts the "Seven Lucky Gods," a once-disparate group of deities that became a unit through Japanese art history, in a new show at Alhambra, Calif.'s Gallery Nucleus. Although not traditionally this way, “Takarabune” transforms all of these gods of fortune into women, translated in Mizuno’s vibrant style. The show runs through Jan. 8 at the gallery. Mizuno was last featured on HiFructose.com here.

Japanese manga artist Junko Mizuno depicts the “Seven Lucky Gods,” a once-disparate group of deities that became a unit through Japanese art history, in a new show at Alhambra, Calif.’s Gallery Nucleus. Although not traditionally this way, “Takarabune” transforms all of these gods of fortune into women, translated in Mizuno’s vibrant style. The show runs through Jan. 8 at the gallery. Mizuno was last featured on HiFructose.com here.


A release from the gallery speaks to how the gods have evolved over the years: “During the course of its history, the mutual influence between gods has created confusion about which of them was the patron of certain professions. The worship of this group of gods is also due to the importance of the number seven in Japan, which is supposedly a bearer of good luck.”


The Dec. 17 opening of exhibition featured dresses and accessories that took influence from Junko’s work, as well as Shamisen and Taiko musicians and burlesque dancers, speaking to the amalgamation that is the artist’s own craft. Mizuno, as an author, is behind several graphic novels that remix classic fables and mythology, from Cinderella to the Little Mermaid. Aside from also producing personal gallery work, her reach extends to designs in the high-end sphere of fashion.



Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Kenne Grégoire, a painter often associated with the movement New Dutch Realism, moves between still-life paintings and more surreal scenes that capture a humane sadness and other complex emotions, rendered in acrylics. The artist uses techniques derived from the 17th century, yet he approaches his work in a way that pushes the form, twisting perspective and hues to create ambiguous points of view and situations.
New York-based artist Naoto Hattori, first featured in HF Vol. 7 and most recently, HF Vol. 35, creates dreamy paintings that are snap shots from his visionary world. It is there in the private recesses of his consciousness where his subjects thrive, he says. Opening July 18th, Hattori's next exhibition at Copro Gallery in Los Angeles titled "Genesis" delves even deeper into the artist's mind - where we dare to think about our creation and place in the universe. See more after the jump.
Hell’O, also known as Hell’O Monsters, is a collective of Belgian artists who use individual talents to create work within a cohesive, bizarre fictional world. The trio was born out of Jerôme Meynen, François Dieltiens, and Antoine Detaille meeting in the 1990s, and they populate their works with hybrid beasts taking part in both humorous and bleak narrative scenes. The works shown below are examples of the group’s acrylic paintings.
The interdimensional creatures painted by Nosego return in a new show at Philadelphia's Paradigm Gallery. "Died a Few Times to Live This Once" collects new work from the Philly artist, whose real name is Yis Goodwin and was last mentioned on HiFructose.com here. His sprawling works, as usual carry “themes of boundlessness.”

Subscribe to the Hi-Fructose Mailing List