Menu
The New Contemporary Art Magazine

Chie Hitotsuyama Forms Wildlife Out of Newspapers

Inside an old warehouse of a paper strip manufacturing plant owned and formerly operated by her family, Chie Hitotsuyama crafts sculptures of wildlife, which are often life-size, in hermakeshift studio. By wetting, twisting, rolling, folding, and stacking paper, the artist compels an unlikely material out of newspaper. The ongoing effort is formally titled Hitotsuyama Studio, consisting of Hitotsuyama and the project's creative director, Tomiji Tamai.

Inside an old warehouse of a paper strip manufacturing plant owned and formerly operated by her family, Chie Hitotsuyama crafts sculptures of wildlife, which are often life-size, in hermakeshift studio. By wetting, twisting, rolling, folding, and stacking paper, the artist compels an unlikely material out of newspaper. The ongoing effort is formally titled Hitotsuyama Studio, consisting of Hitotsuyama and the project’s creative director, Tomiji Tamai.

The artist has shown these works across the world, with solo exhibitions in Tokyo, Okinawa, and Los Angeles. At a recent exhibition at Jai & Jai Gallery in Los Angeles, titled “Paper Trails,” the artist offers insight into her process: “At a recent exhibition at Jai & Jai Gallery in Los Angeles, titled “Paper Trails,” the artist offers insight into her process: “When a piece of paper is rolled up, it increases in strength, and by gluing together one by one and side by side, I can carefully form contours and curves with each single string. These single strings, collected together, consequently become the surface of an objects. And eventually, a shape or a form of an object appears.”

Newspapers are released out into the world and throw away every day, while carrying memories, the artist says. In these works, we find our own cycles mirrored.

[vimeo 183929956 w=600 h=400]

Chie Hitotsuyama "Paper Trails" from Ayako Hoshino on Vimeo.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
In Peter Palfi's "Looney Tombs" series, the mythologies of Ancient Egyptian gods and 20th-century animation synthesize with artifacts faithful to both histories. The Hungarian artist uses bronze, wood, resin, actual mummified animals, and other materials to craft these sculptures—along with his own complete Book of the Dead. For some, it may recall Damien Hirst's "Treasures from the Wreck of the Unbelievable," though Palfi's work, in concept, wholly embraces the absurd.
Nahoko Kojima’s talents in paper cut sculpture produced her largest work to date in the life-sized whale “‘Shiro” at the Bangkok Art and Culture Centre in Thailand. From the initial concept to its completion, the project took a year of work from the artist. Kojima was last featured on HiFructose.com here.
Kristen Egan's work, packed with notes of mythology and folk art, is featured in a new show at Arch Enemy Arts in Philadelphia. “Still Coming Ashore” features the whimsical sculptures of the artist, who also co-owns the archery gear/fine arts business Egan & Ives.
Lana Crooks uses hand-dyed wool to craft the insides and outsides of the natural world. From a distance, these pieces appear to constructed of fur and bone. But upon closer inspection, the artist’s meticulous blending of wool, found objects, and other fabrics comes into focus. Crooks sometimes uses actual specimens from Chicago's natural history museum collections for inspiration in making her “faux specimens and soft curiosities.”

Subscribe to the Hi-Fructose Mailing List