Menu
The New Contemporary Art Magazine

Craig LaRotonda Debuts New Series in “In The Shadow of Silent Kings”

The multimedia work of New York based artist Craig LaRotonda depicts a world infused with macabre imagery and surreal characters, featured here on our blog. Though his work is highly stylized, featuring modern cyborgs and other iconoclastic creatures drawn in the iconic style of Renaissance and Byzantine Art, the artist pulls his inspiration from somewhere familiar to him. Often, his ideas come from his own psyche and our human existence, such as birth, growth, emotions, conflict, and mortality.

The multimedia work of New York based artist Craig LaRotonda depicts a world infused with macabre imagery and surreal characters, featured here on our blog. Though his work is highly stylized, featuring modern cyborgs and other iconoclastic creatures drawn in the iconic style of Renaissance and Byzantine Art, the artist pulls his inspiration from somewhere familiar to him. Often, his ideas come from his own psyche and our human existence, such as birth, growth, emotions, conflict, and mortality.

“In The Shadow of Silent Kings” is the title LaRotonda’s latest series of acrylic on panel paintings, debuting at the Night Gallery Fine Art in Santa Ana, CA. Some of these paintings make icons of what would otherwise be considered “undesirable” characters who have faced adversity; for instance, sideshow performer Schlitzie, famous for his appearance in 1932 film Freaks, appears in LaRotonda’s version of the Madonna and Child in “One of Us”, while a limb-less child is presented as a holy oracle in “Oraculum”.

In an email to Hi-Fructose, LaRotonda shared: “In The Shadows of Silent Kings explores the collective experience of my cast of characters in a surreal play about the human condition. The flawed but alluring subjects depicted are searching for a way to survive in this strange world each on their own path to redemption.” Adding, “These distorted creatures are captured in a timeless space- surviving the brutality and beauty of existence.” “In The Shadow of Silent Kings” opens on June 4th.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Christian Rex van Minnen's paintings (featured in HF Vol. 25) are painstakingly laborious. The artist uses the techniques of the Northern Renaissance masters to paint tripped-out portraits and still lifes where his subjects devolve into bulbous, tumor-like lumps of flesh and organic matter. While Van Minnen's work is commonly interpreted as being about deformity, when we visited the artist's studio in Brooklyn a few weeks ago, he discussed the conceptual underpinnings of his creative process. Take a look at our photos from Van Minnen's studio after the jump.
When we last caught up with Shaun Berke, he was busily preparing for his previous showing at La Luz de Jesus gallery, " Sisters of the Inquisition." Berke returns to La Luz on November 7th with an inspired take on Impressionism and 17th century Dutch painting, in "Sacrosanct". His new pieces exhibit his learned classical compositions mixing religious iconography, as in his nun subjects, with some recognizable faces. Some of his models have included fellow local artists Soey Milk and Christine Wu. The work is also modern looking in its minimalism, focusing on the figures placed in subdued, apocalyptic environments. Berke also appreciates a minimal lifestyle in Los Angeles, where we went behind the scenes of his show.
New York based artist Craig LaRotonda creates multimedia works in a unique style reminiscent of Renaissance and Byzantine art. His detailed and layered paintings have a darkness that is matched by his sculptural pieces that look like religious relics. Opening September 4th, he will exhibit a new series of paintings and sculptures in "A Consortium of Lost Souls" at Stranger Factory in New Mexico.
Mary Waters' portraits of Renaissance identical twins are intriguing, almost haunting. It is said that during the Renaissance, twins were thought to be the product of sexual promiscuity and therefore evil (The Shining anyone?). Most likely, we don't see portraits of twins because they could not survive rudimentary birth. Waters clearly prefers working in Romanticism and Renaissance styles and mediums; acrylic, tempera, alkyd, and oil painted with a satiny sheen. However, she is set apart from the masters who inspire her.

Subscribe to the Hi-Fructose Mailing List