Madrid-based sculptor Irma Gruenholz refers to her work as "three-dimensional illustration." Her quirky style lends itself to imaginative scenes, which she renders in clay rather than digitally or in any other medium. In her humorous work, offbeat characters interact with one another or with animal companions. Many of her pieces have a storybook-like quality, as if they are part of a narrative we can't quite grasp. Take a look at some of her latest works below.
Madrid-based sculptor Irma Gruenholz refers to her work as “three-dimensional illustration.” Her quirky style lends itself to imaginative scenes, which she renders in clay rather than digitally or in any other medium. In her humorous work, offbeat characters interact with one another or with animal companions. Many of her pieces have a storybook-like quality, as if they are part of a narrative we can’t quite grasp. Take a look at some of her latest works below.
With “Le Souffle de Changement," Pierre Matter offers a surreal, contemplative set of sculptures crafted from bronze and recycled objects. The exhibition currently inhabits one of the AFA Gallery-curated spaces at Château Belcastel in France. In the process of creating these works, Matter uses “welders, plasma cutters, laser cutters and grinders to shape and sculpt,” AFA says. The exhibition runs through October.
Ron Mueck gathers 100 individual, enormous skulls for a new installation at National Gallery of Victoria’s Triennial. The sculptures in "Mass" are crafted from fiberglass and resin, and each is about a meter high. Mueck's hyperrealist work was last mentioned on HiFructose.com here.
The disturbing, seemingly organic forms created by Mireia Donat Melús take on an interactive edge with works like “Trou,” an installation that invites the viewer’s hand into the work and shows its exploration using an interior camera. His sculptures, made from nylon and empty silicone fiber, appear to be both human-grown and alien in nature.
Patricia Piccinini is an Australian artist known for her unsettling sculptures of hyperrealistic hybrid creatures. Her work began as a review of biotechnology such as genetic manipulation, but has developed an emotional context over the years. For example, in her sculpture "The Long Awaited", Piccinini seeks to form a relationship between the creatures and viewer on an empathetic level. The piece is currently on display in her exhibit "Relativity", the first major survey of the artist’s sculptural works in Europe coinciding with Galway International Arts Festival.
