Photo credit: Frazer Harrison/Getty Images for Grey Goose
On January 21, Kehinde Wiley was honored with the United States Department of State Medal of the Arts for his contributions to the White House’s cultural diplomacy outreach. Wiley’s opulent paintings (featured in Hi-Fructose Vol. 29) are known for sparking conversations surrounding race, colonialism, and the art historical canon. He has traveled the world to paint people of various African diasporic communities (see our coverage of his last solo show, “The World Stage: Haiti,” here). The artist outfits his portraits of anonymous individuals with Baroque-inspired motifs that elevate them to a regal status. The dignified way he presents his subjects starkly contrasts with colonial-era context from which he culls his techniques. We congratulate Kehinde Wiley on this achievement and to mark the occasion, we invite you to take a look at some of his recent work below.
Secretary of state John Kerry awarded Kehinde Wiley with the United States Department of State Medal of the Arts (via Instagram).
The current art market in the Bay Area is precarious. Two of the City's three major art fairs disappeared last spring, galleries are getting evicted and artists are leaving due to unimpressive sales and rising rents. Curators from San Francisco and Oakland alike are racking their brains about how to appeal to the growing class of Twitterati. There is a disconnect between the Bay Area's influx of wealth and its art. Tucked away in suburban San Mateo, just south of SF, 
Four months after it was announced that 