Menu
The New Contemporary Art Magazine

Preview: Kazuki Takamatsu’s “Even a Doll Can Do It” at Dorothy Circus Gallery

Kazuki Takamatsu (HF Vol. 33 cover artist) paints layers of translucent, white gouache that appear to float over his matte, black backgrounds. His hologram-like, female characters look digitized, though they're executed entirely by hand. That's because the artist turns to depth mapping software for inspiration for his images and painstakingly renders his figures as if they were parceled into pixels. For his upcoming solo show "Even a Doll Can Do It," Takamatsu presents a new series of paintings centered around ghostly depictions of nymph-like girls floating in cyberspace. The exhibition opens February 14 at Dorothy Circus Gallery in Rome and will be on view through April 4.

Kazuki Takamatsu (HF Vol. 33 cover artist) paints layers of translucent, white gouache that appear to float over his matte, black backgrounds. His hologram-like, female characters look digitized, though they’re executed entirely by hand. That’s because the artist turns to depth mapping software for inspiration for his images and painstakingly renders his figures as if they were parceled into pixels. For his upcoming solo show “Even a Doll Can Do It,” Takamatsu presents a new series of paintings centered around ghostly depictions of nymph-like girls floating in cyberspace. The exhibition opens February 14 at Dorothy Circus Gallery in Rome and will be on view through April 4.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Shih Yung-Chun paints surreal re-imaginings of everyday scenes, where adults occupy themselves with strange activities like bored kids creating their own games during summer vacation. Puppets, dolls, animals, and figurines are recurring motifs in Shih's world, which seems believable yet slightly off balance. The Taipei-based artist inserts autobiographical snippets in many of the paintings: Some of his scenes are set in his own house and he and his white French bulldog make occasional appearances. Shih has referred to his works as "soap operas," hinting at their highly fictionalized nature. Take a look at some of his work below.
James Guppy’s recent acrylic paintings on fabric, juxtaposing floral arrangements and contemporary businessmen, play with “the history of paint and value.” The artist showed his recent body of work in a run at Jan Murphy Gallery, titled "The Venal Garden." Though absurdist initially in appearance, the works have a specific historical consideration.
Using the Mongol zurag style of painting, Baatarzorig Batjargal brings a contemporary and globe-spanning mentality into the century-old approach. A native of Ulaanbaatar, Mongolia, the artist’s distinctive observance of tradition puts a fascinating spotlight on how his home has changed.
Ryan Hewett’s experimental formations of the human figure, shaped with knives, brushes and paint rollers, return in a new show at the Unit London this month. Among the fresh works offered in “New Paintings” is the massive “Memories,” measuring more than 11 feet by 6 feet. The work took more than a year for the South African painter to finish. Hewett was last on our site here.

Subscribe to the Hi-Fructose Mailing List