Using careful arrangements of mirrors, lights, and negative space, James Nizam takes analog photographs that capture his ephemeral interventions. His simple arrangements of light beams evoke the Minimalist sculptures of the 1960s, yet Nizam's work is tangible only in the form of the resulting photo. With his geometric arrangements, he alters the way his audience views architectural spaces and draws connections between photography, design, and sculpture.
Using careful arrangements of mirrors, lights, and negative space, James Nizam takes analog photographs that capture his ephemeral interventions. His simple arrangements of light beams evoke the Minimalist sculptures of the 1960s, yet Nizam’s work is tangible only in the form of the resulting photo. With his geometric arrangements, he alters the way his audience views architectural spaces and draws connections between photography, design, and sculpture.
Photographer Pelle Cass’s composite photographs use time-lapse techniques to create chaotic sporting events. The artist has said that part of the fun in creating each work is being able to subvert the typical athletic affair and put the crowds in the fields, not in the stands. The artist doesn't alter any of the settings in the work; he only takes out and adds in figures.
Korean artist Won Beomsik disrupts the cohesiveness of city planning with his "Archisculpture" collage series, in which he cobbles together various buildings in unlikely ways. The latest addition to the series is "Archisculpture Antigravity," in which he flips and reverses the orientation of edifices to defy physical laws. Won's other series, "Dimension Finder," turns buildings' facades into kaleidoscopic patterns that look like portals into new dimensions. Using architecture as his visual language, he communicates ideas about perception and reality through these works.
Lala Abaddon combines traditional practices of weaving, photography, and painting into her brilliantly colored woven prints. When we first featured her work, Abaddon took us behind the scenes into her New York studio, where she works quietly alongside her parakeet Poquito, and showed us how she uses a stationary rail cutter to make the compositions of her largescale weaves out of her own photographs, images inspired by complex backstories. Take a look at her newer works after the jump!
