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The New Contemporary Art Magazine
Using careful arrangements of mirrors, lights, and negative space, James Nizam takes analog photographs that capture his ephemeral interventions. His simple arrangements of light beams evoke the Minimalist sculptures of the 1960s, yet Nizam's work is tangible only in the form of the resulting photo. With his geometric arrangements, he alters the way his audience views architectural spaces and draws connections between photography, design, and sculpture.