Menu
The New Contemporary Art Magazine

Claudia Antesberger’s Technicolor, Disorienting Pastiches

German artist Claudia Antesberger paints enormous, overwhelming canvases that sample veritably every color of the rainbow. The first thing that catches the eye when viewing her work, the fluorescent hues evoke childhood pleasures like My Little Pony or Skittles. But among the candy-colored, biomorphic masses, Antesberger explores erotic subject matter as a way of apprehending the subconscious.

German artist Claudia Antesberger paints enormous, overwhelming canvases that sample veritably every color of the rainbow. The first thing that catches the eye when viewing her work, the fluorescent hues evoke childhood pleasures like My Little Pony or Skittles. But among the candy-colored, biomorphic masses, Antesberger explores erotic subject matter as a way of apprehending the subconscious.

Each piece is filled with multitudes of characters and, frequently, pop culture allusions. The artist explained that she inserts often contradictory details to disorient her viewers and make them question their perception of reality. “With every layer of paint I banish normally indisputable familiarity by going deeper and deeper into multi-dimensionality,” said the artist. “So-called reality blurs into a multiplicity of different streams and processes, creating new realities, beyond accepted reality.”

Detail

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
Takahiro Hirabayashi is trained in traditional Japanese painting, but in his mixed-media work, he applies these age-old techniques to contemporary portraits with a sci-fi element. Hirabayashi's characters seem to inhabit a world in decline. In many of his paintings, they appear with blood-like stains running from their mouths, and their skin often looks cracked to expose ripe, pink flesh. They seem to be disintegrating before our eyes, and the traces of their carnivorous feasts left on the front of their shirts hint at their desperation to survive in a post-apocalyptic world.
The mysterious portraits of Belgian painter Eddy Stevens are filled with stirring symbols that invite the viewer to unpack their meanings. Though his work has a certain timeless quality that recalls 16th- and 17th-century painters, his work is also filled with contemporary flourishes and progressive approaches to the craft.
In Taylor Schultek’s riveting oil paintings, an urban structure is as much a character as his human subjects. The connection between humanity and environment is often at play, with the art of graffiti often in progress. The artist's own history in graffiti and graphic design seem to converge in building believable backdrops.
On October 14th, French artists 100TAUR and Hisham Echafaki will debut new works in their two-person exhibition, "Lusus Naturae" in London. Borrowing their title from a Latin phrase that describes any creature or specimen that defies classification, the exhibit will include a series of paintings, drawings and three-dimensional works that depict "freaks of nature". Their works feature fantastical hybrid creatures alongside some of the world's most bizarre members of fauna. Both 100TAUR's portrayals of mythical monsters in their dark world and Echafaki's intricate, pattern-filled works explore the human fascination with oddities or monstrosities along with our fragile relation with the nature.

Subscribe to the Hi-Fructose Mailing List