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The New Contemporary Art Magazine
French artist Marc Giai-Miniet has been creating for over 50 years, and over that time has accumulated a variety of titles from hobbyist, painter, printmaker, draftsman, and a "pipe puller" of symbols. His never-ending large scale dioramas which he calls “boxes” are almost Escher like. They take us through theatrical stages of industrial rooms; dusty libraries, attics, and winding, nonsensical machinery. These creepy post-disastrous events or crime scenes are beautiful in their destruction, similar to Lori Nix (covered here). Pops of color guide the eye throughout, but with no relief of an exit. Upon close inspection, one can find human organs and tiny, flickering flames of cast iron ovens. Read more after the jump.