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The New Contemporary Art Magazine

Author: Michelle Robertson

Adam Parker Smith takes famed—perhaps infamous—sculptures from Greco-Roman antiquity and squishes them. It’s in their squashing that new meanings, and new questions, rise to the surface. Read Michelle Robertson's full article by clicking the above image.
For Darel Carey, it all begins with the line. From that most elemental figure, a work of art eventually blossoms. “Every single line I place is based off where the last line was, which is based off the line before it, which is based off the line before that."... Read the full article by Michelle Robertson by clicking above.

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