Menu
The New Contemporary Art Magazine

Max Seckel’s Absorbing Mixed-Media Environments

Max Seckel’s dwellings and landscapes, rendered in acrylics, gouache, latex, and spraypaint, invite viewers to make their own observations. The New Orleans painter rendered his lived-in environments without depicting any figures in his works. Yet, in each, there’s a certain humanity depicted and reflection inspired.

Max Seckel’s dwellings and landscapes, rendered in acrylics, gouache, latex, and spraypaint, invite viewers to make their own observations. The New Orleans painter rendered his lived-in environments without depicting any figures in his works. Yet, in each, there’s a certain humanity depicted and reflection inspired.

“My work aims to explore my own reactions to and perception of the world surrounding me,” the artist has said. “Informed by memories, dreams, conversations, and just plain looking around and being I assemble a world constructed of absurdities and references. Objects are clustered together and arranged with little respect to context, intending to create a sense of wonder and confusion as the viewer works to make sense of the situation presented.”

See more of Seckel’s work below.

Meta
Share
Facebook
Reddit
Pinterest
Email
Related Articles
The work of Pakistan-born, Australia-based artist Khadim Ali explores history, traditional art practices, and the artist’s own identity. Much of his work has been influenced by the 10th-century epic poem “Shahnama/The Book of Kings,” and is often expressed in classical miniatures, murals and calligraphy.
Anders Gjennestad’s illusionary painted public art often features his signature, monochromatic characters scaling structures across the globe. The artist uses shadows with his figures to play with depth, whether on eroding buildings or adorning newly constructed offices in Norway, Germany, and beyond. The artist’s practice also includes humanscale, gallery-based work.
Minimal and quiet, Brian Robertson’s artworks seem to be both a homage to cubism and other various abstract art movements, and to our curious obsession with space and the universe. Going against typical physiognomy, the LA-based artist dissembles people and objects with clean acrylic shapes and lines juxtaposed with controlled dashes of spray paint. Looking closer, you’ll also notice that various portals appear in his work — a black hole doorway to a starry universe, a triangular cut-out through which a blue line travels — perhaps a commentary on the loneliness of the human condition and the vast wonder of the universe. On a more humorous level, Robertson names every one of his people or objects with tongue-in-cheek titles such as Mr Pot-Head Worm-Mouth or Mr Yellow-Brick Shit-House.
In Ryan Hewett’s recent works, the painter uses disparate abstract elements to reconstruct the human form. The artist’s works focuses less on the harsh textures of past works, instead introducing new hues and formations into his portraits. The effect is both disconcerting and wholly absorbing.

Subscribe to the Hi-Fructose Mailing List