Nora Keyes, artist and lead singer of art-rock acts like Fancy Space People, The Centimeters, and Rococo Jet, combines painting and collage for intricate, multidimensional pieces. The absorbing work can be scrutinized from feet or inches away, maintaining the viewer’s gaze at every corner. The work can feel otherworldly, yet entirely human in their contemplation and introspection.
The artist has described her work as “improvisations of the multiplicities of abundant realities that exist parallel to our own solidified view.“ There’s a meditative aspect to the work that allows the reader to disappear into them. Keyes’s pieces are at once cohesive, complex objects and disparate elements that slowly come into focus. As she tells The Creators Project about viewing her works: “By traversing the terrain that I have paved for them, their perception is encouraged to explore the trails of color, organic shapes, ancient ruins, and various perspectives until new perceptions in space start appearing, not only in the picture plane, but their mind’s eye as well: a topography of self-transforming metaphysics and thought.”
Music created by Keyes can be just as dense and elegant, haunting and lingering. Tracks like Rococo Jet’s “Dream Party” offer a fascinating backdrop to her visual work, even if the pairing was never intended. That project is set to release a new full-length this fall on Folktale Records. All amount to a moniker Keyes gives herself on her website: “sonic visualist.”
Those who have been to a drag club (or caught an episode of RuPaul's Drag Race) know that campiness and kitsch are staples of drag culture. By inverting the gender stereotypes and taking them to the extreme, queens mock the conventions of gender and the consumer society that enforces them. 
Jesse Jacobi's expansive, seemingly ancient worlds reflect on the cycles of life and nature in a new show at Arch Enemy Arts. "From The Eternal Green Mouth" collects new acrylic paintings from the Michigan artist, who was last featured on HiFructose.com 
Hailing from Santa Fe, New Mexico, 
American artists — from the painters of the Hudson River School to the influential Andrew Wyeth — have long depicted this country’s vast landscape as simultaneously a place of lonely desolation and of awe-inspiring grandeur. Following in this tradition,